丁兰刻木:宗教艺术治疗的传统实践

发布时间：2018-02-09 01:43

  本文关键词： “丁兰刻木” 宗教艺术治疗 艺术传统 孝文化 宗教艺术实践　出处：《民族艺术》2017年04期 　论文类型：期刊论文

【摘要】："丁兰刻木"不仅仅是一则孝子传说,还蕴含着艺术发生学和比较艺术学意义的艺术传统。汉族"丁兰刻木"之所以能形成一种艺术传统,原因有儒释文化是维系"丁兰刻木"世代相传的社会文化力量;多样化的文本在情节方面存在局部差异,但"丁兰刻木像母,事之如生"的基本情节未变;附会于丁兰的古迹和祭祀丁兰传统的形成;"丁兰刻木"的传播形式呈现出多样化的态势,仿效丁兰成为风尚。作为宗教艺术治疗实践,雕刻木像为母,是在用木雕艺术的形式去还原和补偿年少时就过早失去的母爱。丁兰所雕刻的木母及其后人仿效的木母,是比较宗教学领域中的母神类型之一,是母亲原型的衍生物。宗教艺术治疗的目的不是让孝子接受母亲已死的客观事实,而是让孝子接受并创造母亲复活的神话。对已故父母的移情和积极想象,并付诸宗教艺术实践,提高了人类对生命的感受力并维持了生命的流动性,使人类的生命充满了生气。
[Abstract]:"Ding Lan carved wood" is not only a legend of filial piety, but also contains the artistic tradition of artistic genesis and comparative artistic significance. The Han nationality "Ding Lan carved wood" can form an artistic tradition. The reason is that Confucianism and Buddhism culture is the social and cultural power to maintain the intergenerational transmission of "Dinglan engraved wood", and there are local differences in the various texts, but the basic plot of "Dinglan engraved wood like mother" has not changed. The ancient relics of Dinglan and the formation of the tradition of sacrifice to Dinglan; the spreading forms of "wood engraving in Dinglan" showed a diversified trend, imitating Ding Lan as a fashion. As a practice of religious art therapy, carved wood statues were used as mothers. It is in the form of woodcarving art to restore and compensate for the maternal love lost prematurely when young. The wooden mother carved by Ding Lan and the wood mother emulated by later generations are one of the types of mother-gods in the field of comparative religion. The purpose of religious art therapy is not for filial son to accept the objective fact that the mother is dead, but for filial son to accept and create the myth of mother's resurrection. And put into religious art practice, improve the human sensitivity to life and maintain the mobility of life, make human life full of vitality.
【作者单位】： 云南大学艺术与设计学院;东南大学;
【基金】：云南省哲学社会科学艺术科学规划项目“云南彝族宗教艺术的心理治疗功能研究”(A2015YBJ002)阶段性成果 “云南大学青年英才培育计划”资助
【分类号】：J314.2
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本文编号：1496777