灵岩寺宋代泥塑造像研究

发布时间：2018-02-27 19:36

本文关键词： 灵岩寺宋代泥塑罗汉制作工艺造像塑像人物造型人物形象色彩面部　出处：《美术观察》2006年08期 　论文类型：期刊论文

【摘要】：正灵岩寺坐落在山东省泰山西北。寺内古木苍翠,怪石林立,殿宇峥嵘。周围风景优美,灵洞曲涧,青峰翠峦,环绕着古刹精舍。寺内的宋代彩色泥塑尤为有名,它们位于灵岩寺千佛殿内,总共有40尊,均施彩色。泥塑像壁坛高80厘米,其中脚座高35厘米,脚座至坐座面高45厘米,坐座面至罗汉头顶高约101厘米。罗汉像塑于宋宣和年间,塑艺精湛,敷色恰当。每一尊罗汉的神情状貌各异,但均生动传神,形象逼真,呼之欲出。灵岩寺塑像反映了宋代写实美术主义的审美特征,同时也展示了传统的泥塑制作工艺,是珍贵的非物质遗产。本文拟分雕塑语言、敷彩特征、制作工艺等三个方面,对灵岩寺宋代泥塑造像作具体的分析。
[Abstract]:Zhenglingyan Temple is located in the northwest of Mount Tai, Shandong Province. The temple is rich in ancient wood and verdant stones, and the temple is towering. The surrounding scenery is beautiful, Ling Dong Qujian, Qingfeng Cuiluan, surrounded by ancient temple Jingshe. The colored clay sculptures of the Song Dynasty in the temple are especially famous. They are located in the Thousand Buddha Temple of Lingyan Temple, with a total of 40, all painted. The clay statue wall is 80 centimeters high, of which the foot seat is 35 centimeters high, and the foot seat to the seat is 45 centimeters high. Sitting face to head of Luo Han is about 101 centimeters high. Luo Han is sculpted in Song Xuanghe years, exquisite in art and suitable in color application. Each one has different looks, but they are vivid and vivid, and vivid and lifelike. The statue of Lingyan Temple reflects the aesthetic characteristics of realistic art doctrine in Song Dynasty, and also shows the traditional clay sculpture production technology, which is a precious intangible heritage. This paper makes a concrete analysis on the clay statues of the Song Dynasty of Lingyan Temple.
【作者单位】：山东经济学院文学院
【分类号】：K879.4;J305

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