从“降魔成道”到“驱邪祈福”——成都蒲江、邛崃唐代触地印如来造像考

发布时间：2018-03-02 06:07

  本文关键词： 降魔成道 触地印如来 成都周边地区 唐代　出处：《南京艺术学院学报(美术与设计)》2017年05期 　论文类型：期刊论文

【摘要】：现存初唐-盛唐时期成都地区周边佛教造像中,常见"降魔成道"题材。由于隋唐成都大型寺院工巧稿本资料缺乏,学者在考证"降魔成道"范本的来源时,多依据长安文化中心的相关记载,产生了一些误读与争议。本文以成都周边地区发现的"成道"为主题的造像为切入点,探究成都周边宝冠触地印如来造像源流及内涵寓意。
[Abstract]:In the Buddhist statues around Chengdu in the early Tang and the prosperous Tang dynasties, the theme of "descending evil spirits into Taoism" is common. Due to the lack of skilled manuscripts of large monasteries in the Sui and Tang dynasties, scholars are studying the source of the model "descending evil spirits into the Tao". According to the relevant records of Changan Cultural Center, some misunderstandings and controversies have arisen. This paper takes the figure of "Chengdao" found in the surrounding area of Chengdu as the breakthrough point, and probes into the origin, stream and connotation of the statue of the statue of touching the ground and touching the ground of the treasure crown around Chengdu.
【作者单位】： 四川大学艺术学院;
【分类号】：J315;K879.3
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本文编号：1555316