太和十三年贾法生兄弟造金铜二佛并坐像研究

发布时间：2018-03-06 10:42

本文选题：二佛并坐佛像　切入点：金铜佛　出处：《华东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：金铜佛在佛教造像中数量庞大,分布广泛。多宝佛是金铜佛中的一大体系,在金铜佛研究中十分重要,但国内外对于该种佛教艺术形式了解不多。所以,对该种形式进行系统研究尤为重要。本文以太和十三年(489)贾法生兄弟造二佛并坐金铜佛像(以下称贾法生造像)为个案进行研究。文章主要分为五部分。第一部分是绪论,是对北魏时期二佛并坐像的相关期刊、论文等的分析,并确定本文的研究方向与方案。第二部分是文章的第一章,主要是对贾法生兄弟造像进行分析。从正面看,二佛造型已存在向汉化转变的趋势,面容丰满,衣着较宽松。背面佛像仍存在印度早期佛像的特征。第三部分是文章的第二两章,是贾法生兄弟造像与丘比造像等的对比分析。从对比看出,贾法生兄弟造金铜二佛并坐佛像与同纪年三件造像各部分的形制基本相同。但在铸造方面仍有些许差异,应是由于造像大小、铸造工艺、铸造者习惯等原因导致的。第四部分是文章的第三、四两章,将贾法生兄弟造像与石窟寺早期二佛并坐造像、延兴二年像、太和四年像、神龟二年像等进行对比,旨在对贾法生兄弟造像的来源和流向进行分析。并阐述了二佛并坐样式兴盛的社会因素,解释了贾法生造像与早期石窟壁画等的联系。最后一部分是第五章,是对前四章所做研究的总结。最能体现本论文创新成果的部分为第三章。这一章中笔者论述了二佛并坐金铜佛的兴盛的社会因素。笔者从社会制度的角度解释了在二佛并坐样式极其流行的北魏,为什么二佛并坐金铜佛超越了其他佛教造像如此大量的铸造并保存下来。就风格而言,贾法生兄弟造像也受到了北魏早期石窟寺壁画和佛教造像的风格影响。另外,贾法生兄弟造像风格直接来源于早期二佛并坐金铜佛像。贾法生兄弟造像与延兴二年像、太和四年像的各部分形制基本相同,应出自同一地区。因此,笔者认为,贾法生兄弟造像的风格应直接来源于早于该像的延兴二年像、太和四年像。
[Abstract]:In the gold and bronze Buddha Buddhist statues in the large number of widely distributed. The Buddha is a Buddha in the system of gold, gold and bronze Buddha is very important in the study, but at home and abroad for the Buddhist art form is unclear. Therefore, systematic research on this kind of form is particularly important. This paper takes thirteen years (489) the Jia Fasheng brothers made two gold and bronze Buddha Buddha (hereinafter called Jia Fasheng statues) as a case study. The article is divided into five parts. The first part is the introduction, relevant journals of the Northern Wei Dynasty Buddha statue and two, the analysis, and to determine the direction of the research and the second part is the solution. The first chapter is mainly on the Fasheng Jia brothers were analyzed. The statues from the front, the two Buddha has other existence to the changing trend of localization, plump face, dress is loose. There are characteristics of the India early on the back of the Buddha statues. The third part is the Chapter 22 chapter is comparative analysis of Fasheng Jia brothers and Qiubi statues. Statues from the comparison that the Jia Fasheng brothers made the gold copper Buddha and two statues and three statues of the same age structure is basically the same. But there are still some differences in casting, because of large statues should be small, casting process. The cause of casting habit. The fourth part is the 42 chapter, the third brothers and Fasheng Jia Grottoes statues in early two and Buddha statues, Yan Xing two years like, wo four years like turtles two years like compared to the source, and the flow of Jia Fasheng brother statues were analyzed two. And expounds the social factors and the prosperity of the Buddha style, explains Fasheng statues and murals in the early Jia and other links. The last part is the fifth chapter, the research of chapter four is a summary of the innovation. Most can reflect the results of this part is the article The three chapter. In this chapter the author discusses the social factors and the prosperity of the two Buddha Buddha gold. The author from the perspective of social systems is explained in two Buddha and extremely popular style of the Northern Wei Dynasty, and why the two Buddha gold and bronze Buddha beyond other Buddhist statues such a large cast and preserved. In terms of style, Jia Fasheng brother statues are also influenced by the early Northern Wei Grottoes murals and Buddhist style. In addition, the Jia Fasheng brothers statue style directly from the early two Buddha and Buddhist statues. Fasheng statues and Yan Xing Jia brothers two years as part of the shape, wo four years as basically the same, should be from the same area. Therefore, the author believes that the Jia Fasheng brothers statues style should be directly from the early to the image two years like Yan Xing, wo four years like.

【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J315

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