浅析唐代乾陵翁仲石刻直立造型形式因素

发布时间：2018-03-15 00:20

本文选题：唐代乾陵　切入点：翁仲石刻　出处：《西安美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：本文由唐乾陵翁仲石刻造像(又名直阁将军或持剑石人,亦或持节杖的使节)入手,研究其直立造型形式因素。论文分为五章,第一章为《乾陵翁仲石刻造像的基本造型形式》,简要概述何谓“翁仲”;乾陵翁仲石刻的基本造型形式与来源分析,及中国古代陵墓雕塑发展对唐乾陵石刻造像的影响。第二章为《乾陵翁仲石刻直立造型形式中模件化规模化与个性化因素》,借用著名德国汉学家雷德侯《万物》里“中国艺术中的模件化和规模化生产”理论,分析研究乾陵翁仲石刻造像整体直立造型的模件化(模式化)、规模化及个体局部个性化问题;第三章为《乾陵翁仲石刻直立造型形式中生物学因素》,本章从生物学进化论角度分析探讨整体直立造型形式中,涉及向上生长和有关人类直立的生物学因素。分别就植物性“向上”生长的趋势与动物中人直立行走的进化论观点进行论述;第四章是《乾陵翁仲直立造型形式中“建构主义”心理学因素》,在本章中,运用著名瑞士儿童心理学家让·皮亚杰的“建构主义”理论,论述人类心理学在“直立”造型形式中的作用。通过对类似乾陵翁仲石刻“直立”造型形式在世界各地古代艺术遗存中的普遍存在和对比分析,反思心理学在人类造型艺术等方面的共性作用。并由此扩展,“直立”造型形式在中外现代生活中的普遍性,以及“建构主义(认识发生论)”心理学对世界艺术解读的意义,这是本文的重点章节;论文第五章《乾陵翁仲石刻直立造型形式中建筑学因素简析》,该章主要从以往已有的建筑造型因素论及,因雕塑与建筑的密切关系,在传统艺术美学中前人早已有广泛深入的阐释,故在本文中不再过多赘述。
[Abstract]:This paper begins with the stone sculptures of Wengzhong in the Qianling of the Tang Dynasty (also known as General Zhige, the swordstone bearer, or the envoy holding the stick), and studies the formal factors of its upright modeling. The paper is divided into five chapters. The first chapter is "the basic modelling form of the stone carvings of Wengzhong in Qianling", which briefly outlines what is "Wengzhong", the basic modeling form and source analysis of the stone carvings of Wengzhong in Qianling, And the influence of the development of ancient mausoleum sculptures on the stone sculptures of Qianling Qianling. The second chapter is "the factors of Modularization and Personalization in the Vertical Modeling of the Stone carvings of Wengzhong Qianling", borrowing from the famous German Sinologist Lei Dehou. "Modularization and Large-scale production in Chinese Art", This paper analyzes and studies the modularization of the whole vertical modeling of the stone carvings of Wengzhong Qianling. The third chapter is "Biological factors in the upright modeling form of Wengzhong stone carving in Qianling". This chapter analyzes and discusses the whole upright modeling form from the angle of biological evolution. This paper deals with the biological factors related to upward growth and human orthotropia. The trend of plant "upward" growth and the evolutionary view of human upright walking in animals are discussed respectively. Chapter 4th is "the psychological factor of constructivism" in the vertical modeling of Wengzhong in Qianling. In this chapter, the author uses the "constructivism" theory of famous Swiss child psychologist Jean Piaget. This paper discusses the role of human psychology in the "upright" modeling form. Through the analysis of the universal existence and comparative analysis of the similar "upright" modeling form of Wengzhong stone carvings similar to Qianling in ancient art relics all over the world, Reflecting on the common role of psychology in human plastic arts and so on, and thus expanding, the universality of "upright" modeling form in modern life at home and abroad, and the significance of "constructivism" psychology to the interpretation of world art, This is the key chapter of this paper, Chapter 5th, "A brief Analysis of Architectural factors in the Vertical Modeling form of Wengzhong Stone carving in Qianling," which is mainly discussed from the previous architectural modeling factors, due to the close relationship between sculpture and architecture. In the traditional art aesthetics, the predecessors have already explained extensively and deeply, so it is not too much in this article.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J314.3

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