追根溯源—傅维安动物雕塑语言探究

发布时间：2018-03-22 02:11

本文选题：动物雕塑　切入点：形式语言　出处：《中国美术学院》2016年硕士论文　论文类型：学位论文

【摘要】：傅维安是中国现当代动物雕塑领域卓有成就的艺术家。早年师从著名的留法雕塑家周轻鼎先生,从事专门的动物雕塑创作,他不仅继承了周先生高超的写实技巧和对动物神韵、诗意的传达,而且在雕塑本体的形式语言、空间形态和材料表现等方面都有着自己深刻的研究和开创性的探索。孔洞语言是现代雕塑中一种常用的表现手法,自阿基本科创造开始,经由亨利·摩尔等人的发展而影响至今。自八十年代起,这种表现手法也随之传入中国,并被广大的雕塑家们所认识和接受。在傅维安的作品中,也出现了不少这种孔洞形式的雕塑,而且在造型语言样式上与西方的孔洞雕塑存在着一定程度的相似性,这势必使我们将两者的孔洞联系在一起,然而,笔者通过对艺术家本人的采访和作品的研究,发现其雕塑创作的语言并非直接借鉴于西方现代雕塑。早在摩尔等人的作品介绍到国内之时,傅维安就已经开始了对负形的挖掘和探索,他的孔洞形式完全是来源于自身在材料实践过程中的创作经验,以及通过用毛笔勾画草图时“无意”产生的留白而得到的启发。虽然在形式上恰好与亨利·摩尔等人的孔洞语言不谋而合,但他们的创作理念是绝然不同的。由此,这也为我们进一步认识东西方艺术的审美共性提供了一个独特的视角,同时也便于我们在今后的雕塑创作中更好地认识和利用传统文化的价值。
[Abstract]:Fu Weian is an accomplished artist in the field of animal sculpture in modern China. In his early years, he studied with a famous sculptor in France, Zhou Guangding, and was engaged in the creation of special animal sculptures. He not only inherited Mr. Zhou's superb realistic skills and charm to animals. Poetic communication, and in the form of sculpture language, space form and material performance and other aspects of their own profound research and pioneering exploration. Hole language is a common expression in modern sculpture, Since the creation of Aceh, it has been influenced by the development of Henry Moore and others. Since the eighties, this expression has also been introduced to China, and has been recognized and accepted by the majority of sculptors. In the works of Fu Wei'an, There are also many sculptures in the form of holes, and there is a certain degree of similarity between these sculptures in the language of modeling and those in the West, which is bound to lead us to link the two holes together, however, Through the interview of the artist himself and the study of his works, the author finds that the language of his sculpture creation is not a direct reference to modern western sculpture. As early as Moore and others' works were introduced to China, Fu Wei-an has already begun to dig and explore negative shapes. His form of holes is entirely derived from his own creative experience in the process of material practice. And through the "unintentional" white space generated by sketching with a brush. Although it happens to coincide in form with the hollowed language of Henry Moore and others, their creative philosophy is absolutely different. This also provides a unique angle of view for us to further understand the aesthetic generality of eastern and western art, and also facilitates us to better understand and utilize the value of traditional culture in our future sculpture creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J305

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