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以东方的眼睛看世界

发布时间:2018-03-26 04:52

  本文选题:雕塑者 切入点:雕刻技法 出处:《中央美术学院》2013年硕士论文


【摘要】:中国传统造像经过夏、商、周、秦、汉的发展,在南北朝时期出现第一个佛教造像的高峰,这个时期的佛教造像对中国传统艺术影响深远,直至当今社会。南朝背屏式造像手法严谨,技艺娴熟,技法多样,已经发展到相当成熟的地步,很多方面今人都难以企及。 本文从雕塑者的角度出发,在对全国几十所古代石窟寺和博物馆的参观考察的基础上,结合自己平时的雕塑创作实践,比较深入的研究了四川成都出土的南朝背屏式造像的雕刻技法,自己获益匪浅,从中发现了很多不太引人关注的雕刻手法和雕塑处理原则。本文首先梳理出南朝背屏式造像的由来,包括中国本土的艺术积淀和外国佛教造像传入的影响,中外雕塑艺术融合,从而催生出南朝背屏式造像这个精美绝伦的艺术奇葩。然后笔者着重书写南朝背屏式造像的雕塑技巧,主要从三个角度来论述:甲方的角度,作者的角度和今人的角度。接着简要介绍了南朝背屏式造像对当时和今后中国传统艺术的影响。 本文旨在通过研究介绍南朝背屏式造像的雕刻技法,让更多的人从雕塑家本身的角度来了解中国传统雕塑艺术,使传统艺术为今人所用,从中得到新鲜的创作营养。
[Abstract]:After the development of the Xia, Shang, Zhou, Qin and Han dynasties, the Chinese traditional statues reached the peak of the first Buddhist statue during the Northern and Southern dynasties, which had a profound impact on Chinese traditional art. Up to now, the back screen image of the Southern Dynasty is rigorous, skillful and diverse, and has developed to a very mature stage, which is difficult to reach in many aspects. From the sculptor's point of view, on the basis of a visit to dozens of ancient grotto temples and museums throughout the country, this paper combines his usual sculpture creation practice. I have deeply studied the engraving techniques of the back screen statues unearthed in Chengdu, Sichuan Province, and have benefited a lot from them. In this paper, we find a lot of less interesting sculpture techniques and principles of sculpture treatment. This paper first combs out the origin of the back screen statues of the Southern Dynasty, including the influence of the Chinese native art accumulation and the foreign Buddhist statues, and the fusion of Chinese and foreign sculpture art. Then the author emphasizes on writing the sculpture skills of the back screen statue of the Southern Dynasty, mainly from three angles: the angle of Party A, The author's point of view and the present man's angle. Then it briefly introduces the influence of the back screen image of the Southern Dynasty on the traditional Chinese art at that time and in the future. The purpose of this paper is to introduce the engraving techniques of the back screen sculptures of the Southern Dynasty, so that more people can understand the Chinese traditional sculpture art from the angle of the sculptors themselves, so that the traditional art can be used by modern people and get fresh creative nourishment from it.
【学位授予单位】:中央美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J315

【参考文献】

相关硕士学位论文 前1条

1 吕q;中国秦汉雕塑兴盛原因初探[D];江西师范大学;2007年



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