论惠山泥人在定格动画中的继承与创新

发布时间：2018-03-31 00:00

本文选题：惠山泥人　切入点：定格动画　出处：《太原理工大学》2013年硕士论文

【摘要】：我国的民间艺术是伴随着古代社会的发展而逐步形成的一个庞大、而丰富的艺术宝库,凝聚着中国传统的历史文化,是农耕社会的物质载体和象征着农业文明的艺术表达形态。农业文明中的民间劳作生产、生活内容、宗教信仰、经济文化等社会各个方面都在民间艺术的形成中占据一定的作用,民间艺术的传承和发展本身对于巩固、维护我国文化、传延东方文明有着重要的意义。惠山泥人是我国民间传统艺术形式中彩绘艺术的重要组成部分,在国内和国际上享有极高的知名度,是推广我国民间工艺美术事业、也是传承无锡地区民间传统工艺的典型代表作品。惠山泥人所面临的当代生存状况并不乐观。传统的民间美术土壤已经被现代西方文明破坏殆尽。一方面是惠山泥塑等传统民间美术生存的环境缺乏有力的支撑,国家对民族艺术文化的保护还需要进一步提高,另一方面,大众对民族传统艺术、民间美术缺乏关注和兴趣,从物质到精神都缺乏推动民间艺术发展的根本动力。本文旨以惠山泥塑作为切入点,在系统梳理惠山泥塑起源、发展及特点的基础上,分析惠山泥塑与定格动画结合的可能性,提出实行方案,发掘以惠山泥塑为代表的中国传统民间美术在当代西方文明的倾轧下应该如何保持传承、创新、发展,提出实践性较强的方法,通过惠山泥塑与现代动画技术相结合的形式,实现推动惠山泥塑艺术的传承及发展的研究目的,将其发扬光大。由于观念问题,惠山泥塑中最具代表性的泥粗货濒临消失,尤其在台湾,当地的《汉声》杂志社对中国传统民间文化非常感兴趣,他们对惠山泥塑精品进行了大量的收藏,使得无锡惠山泥塑在发源地就开始流失,并且我国对于有关民间艺术法律保护有很大的缺失,以及与旅游业等相关产业的结合上也不是很完善,这种种因素都为惠山泥塑的传承和发展埋下了隐患。面对中国传统文化遗产的没落和逐渐衰退,非物质文化遗产的传承与发展,在当今这个信息多元化的时代里引发了人们更多的思考,怎么样才能使优秀的中国传统文化从没落中走向强盛,而不至于随着时间的流逝,使非物质文化遗产这个更多精神层面上的传承无法延续下去。作为新生力量的我们,肩负着巨大的责任,之所以把惠山泥人与定格动画相结合,是因为泥塑特有的质感和造型可以通过定格动画这种特殊的影像艺术加以展现,使惠山泥人能够引起广大人民群众的关注,从而起到推广与传承、拓展与创新的目的,让传统民间艺术——惠山泥人能够走向世界的大舞台。
[Abstract]:With the development of ancient society, folk art in our country is a huge and abundant treasure trove of art, which embodies the traditional Chinese history and culture. Is the material carrier of agricultural society and symbolizes the artistic expression form of agricultural civilization. The folk labor production, life content, religious belief in agricultural civilization, All aspects of society, such as economy and culture, play a certain role in the formation of folk art. The inheritance and development of folk art itself can consolidate and safeguard our culture. Huishan clay man is an important part of the traditional folk art form of our country, enjoys a high reputation both at home and abroad, and is the promotion of folk arts and crafts in our country. Huishan clay face the contemporary living condition is not optimistic. Traditional folk art soil has been destroyed by modern western civilization. On the one hand, Huishan is Huishan. Clay sculptures and other traditional folk arts exist in an environment that lacks strong support. The protection of national art and culture needs to be further improved. On the other hand, the masses lack attention and interest in traditional national art and folk art, and lack the basic motive force to promote the development of folk art from material to spiritual. This paper aims at taking Huishan clay sculpture as a breakthrough point, on the basis of systematically combing the origin, development and characteristics of Huishan clay sculpture, analyzes the possibility of combining Huishan clay sculpture with fixed animation, and puts forward a practical plan. Explore how the traditional Chinese folk art, represented by Huishan clay sculpture, should be maintained, innovated, developed and put forward a more practical method through the combination of Huishan clay sculpture and modern animation technology under the influence of contemporary Western civilization. To achieve the purpose of promoting the inheritance and development of Huishan clay sculpture art. As a result of conceptual problems, the most representative mud and coarse goods in Huishan clay statues are on the verge of disappearing. Especially in Taiwan, the local magazine "Hansheng" is very interested in Chinese traditional folk culture. They have a large collection of Huishan clay sculptures. As a result, the clay sculptures of Huishan in Wuxi began to run off from their birthplaces, and our country has a great lack of legal protection for folk art, and the combination with related industries such as tourism is not very perfect. All these factors have buried hidden trouble for the inheritance and development of Huishan clay sculpture. In the face of the decline and gradual decline of Chinese traditional cultural heritage, the inheritance and development of intangible cultural heritage has aroused more thinking in the present age of information diversification. How can we make the excellent Chinese traditional culture strong from decline to prosperity, without making the intangible cultural heritage, a more spiritual inheritance, impossible to continue with the passage of time. As a new force, we, Shouldering enormous responsibilities, the reason why Huishan clay people are combined with fixed animation is because the unique texture and shape of clay sculptures can be displayed through the special image art of fixed animation. So that Huishan clay people can attract the attention of the broad masses of the people, so as to promote and inherit, expand and innovate, so that the traditional folk art-Huishan clay people can go to the world stage.
【学位授予单位】：太原理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J314.7

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