巩义石窟寺神王像艺术特征研究

发布时间：2018-05-18 13:16

本文选题：神王像 + 巩义石窟寺　；参考：《郑州大学》2017年硕士论文

【摘要】：我国的佛教石窟艺术源远流长,我国的石窟艺术在造型上继承了大量的犍陀罗和秣兊罗的艺术成分。在北魏灭北凉以后,随着北魏迁都洛阳,石窟艺术在传播的过程中,其在继承其发源特征的同时也不断地被汉化。至此,龙门石窟艺术与以洛阳为代表的中原汉族文化艺术传统相结合,便形成了具有中国特色的石窟艺术。巩义石窟寺石刻造像整体呈现的是典型的北魏后期风格,笔者在拍摄和收集资料的过程中发现,这些雕刻的神王像无论是在造型、形象、神态、构图上都有着统一有序的设计。经过笔者对相关材料的收集汇总与总结,巩义石窟寺的神王像与同时期开凿时间和地域相近的石窟之间有着几大区别:首先,在神王的种类上,除去大多以“十神王”为标准,蛇神王、海神王、兔神王、牛神王、鹿神王等在现有的完整具有辨识度的神王之中未出现。其次,从神王的布局上来看,巩义石窟寺神王出现的窟室都为中心柱窟,神王除去第四窟东壁,都位于中心柱基座下方,石窟四壁雕刻伎乐和神兽相互映衬。最后,从神王的雕刻风格来看,神王的造型手法与宾阳中洞的神王有较多的相似之处,但石窟寺的人物体型特征较为圆润,但与大留圣窟、响堂山的神王像相比,大留圣窟的神王衣着较多,造型圆润,石窟寺的神王有着很明显的褒衣博带的特点。
[Abstract]:The art of Buddhist grottoes in our country has a long history, and the art of grottoes in our country inherits a large number of artistic elements of Gandhara and Hayura. After the Northern Wei Dynasty extinguished Beiliang, along with the Northern Wei Dynasty moving the capital Luoyang, the grottoes art in the dissemination process, it inherits its origin characteristic at the same time also unceasingly by the Chinese transformation. Thus, the art of Longmen Grottoes combined with the cultural and artistic tradition of Han nationality in the Central Plains, represented by Luoyang, formed the grotto art with Chinese characteristics. The stone carvings of Gongyi Grottoes are the typical late style of the Northern Wei Dynasty. In the process of shooting and collecting the data, the author finds that these carved gods have a unified and orderly design in shape, image, appearance and composition. Through the collection and summary of the relevant materials, there are several differences between the statue of the god king of Gongyi Grottoes Temple and those grottoes with similar time and region in the same period: first, in the category of God King, most of the removal is based on the standard of "Ten God King". The serpent king, the sea god, the rabbit god, the cow god, the deer god, and so on are not present among the fully recognizable kings. Secondly, from the layout of the god king, the grottoes that the god king of Gongyi Grottoes appear in are all the central column grottoes, and the gods remove the east wall of the fourth Grottoes, all of them are located under the central pillar base, and the four walls of the grottoes are engraved with the gods and wild animals against each other. Finally, from the perspective of the carving style of the god king, there are many similarities between the modeling techniques of the god king and the god king in the middle cave of Binyang, but the figures in the grottoes are more round in shape, but compared with the statues of the god king in Daliu grottoes and Xiangtang mountains The god king of Daliu Grottoes has many clothes, the shape is round, and the god king of the grottoes temple has the obvious characteristic of praising clothes.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J315

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