雕塑创作中关于减法的初探
发布时间:2018-05-18 21:59
本文选题:简洁 + 内涵 ; 参考:《南京艺术学院》2011年硕士论文
【摘要】:大道至简,返璞归真!天下万物,追究到极致,钻研到最终,其所在终究是最本质、最简约的东西,这也就是我们常常讲的“真传一句话,假传万卷书”。当今优秀的雕塑作品,大多数都是简约明了,简约的装饰、元素、造型,直击作品最深处的思想与灵魂。而剩下的,都交给观众,让观众在观赏时和思考时来慢慢在他们各自的心里去增加和描绘。由此产生思考,在当代的艺术流行趋势、审美思潮和社会节奏下,什么样的雕塑,或者说什么样的手法表现出的雕塑更为能让人驻足观看,产生思索,赢得赞誉。最后产生一点个人见解,在雕塑的构思、创作和制作过程中,将减法运用的合适恰当,产生的作品就更容易直击灵魂、被观众理解。
[Abstract]:The road to Jane, return to nature! All things in the world are investigated to the ultimate, and the ultimate is the most essential, the simplest thing. This is what we often say "true biography of a word, false biography". Most of the outstanding sculpture works are simple and concise, simple decoration, elements, sculpt, the deepest thought of the work. Think and soul. And the rest of it is given to the audience, allowing the audience to grow and depict their hearts in their own minds while watching and thinking. Thus, thinking, in contemporary art trends, in the aesthetic trend of thought and in social rhythm, what kind of sculpture, or what kind of technique the sculpture shows, is more able to watch. In the process of the conception, creation and production of the sculpture, the appropriate and appropriate subtractive works will be easier to strike the soul and be understood by the audience.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J304
【参考文献】
相关期刊论文 前1条
1 韩璐;;从艺术史看雕塑语言的符号性[J];雕塑;2005年06期
,本文编号:1907358
本文链接:https://www.wllwen.com/wenyilunwen/diaosuzhuangshi/1907358.html