丹凤眼与美须髯——大足道教石刻艺术札记

发布时间：2018-05-21 04:21

  本文选题：大足道教石刻 + 须髯　； 参考：《中国道教》2014年04期

【摘要】：正大足道教石刻,是宋代道教文化艺术的杰出代表之一,涌现出南山、石门山、舒成岩、石篆山等代表性石窟点。在大足道教石刻中,可以领略到道教艺术自身创新的独特魅力,丹凤眼与美须髯这些人物面部局部特点,就是其中具有代表性的一例。道教艺术在经历漫长发展之后,至两宋时期逐渐臻于成熟,以宋代造像为主的大足道教石刻,可谓宋代道教文化艺术的杰出代表之一,涌现出南山、石门山、
[Abstract]:Zheng Dazu Taoist stone carvings, one of the outstanding representatives of Taoist culture and art in Song Dynasty, emerged representative caves such as Nanshan, Shimenshan, Shu Chengyan and Shizhuan Mountain. In Dazu Taoist stone carvings, we can appreciate the unique charm of Taoist art innovation itself. After a long period of development, Taoist art gradually matured in the Song Dynasty. Dazu Dazu stone carvings, mainly made of statues in the Song Dynasty, was one of the outstanding representatives of Taoist culture and art in the Song Dynasty, and the Nanshan and Shimen Mountains emerged.
【作者单位】： 重庆市大足石刻研究院;
【分类号】：J314.3
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本文编号：1917725