土山湾遗泽——木工作品“世间百态”解读

发布时间：2018-06-14 19:51

本文选题：土山湾 + 木工工场　；参考：《装饰》2017年11期

【摘要】：土山湾孤儿工艺院的出现与发展在中西交流史、工艺美术史、近代教育史中均是重要一笔。而以日本、法国藏土山湾黄杨木雕作品"世间百态"为切入点的解读置时空背景于百余年前的晚清民初。在特定的政治、经济、文化环境中,此创作是结合东西方技术、艺术、美学,与西方审美碰撞的产物。于是,伴随19世纪中叶基督教在中国的再次传教,以此作品为媒介,还原一条东西方之间以工艺美术品、书籍、图像为媒介的文化、艺术、宗教交流之路。
[Abstract]:The emergence and development of Tushanwan Orphan Technology Institute are important in the history of communication between China and the West, the history of arts and crafts, and the history of modern education. The interpretation of the woodcarving of Poplar in Tushanwan, Japan and France, as a breakthrough point, set a time and space background in the late Qing Dynasty and the early Republic of China more than 100 years ago. In a particular political, economic and cultural environment, this creation is a combination of eastern and western technology, art, aesthetics, and Western aesthetic collision. As a result, Christianity again preached in China in the middle of the 19th century, using this work as a medium to restore a way of cultural, artistic and religious exchanges between the East and the West, with arts and crafts, books and images as the medium.
【作者单位】：浙江理工大学国际教育学院;
【基金】：国家社科基金艺术学项目“土山湾美术工艺传习方式的当代价值研究”资助(编号:17BG141)
【分类号】：J314.2

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