杨玉芳陶瓷人物雕塑艺术研究
本文选题:杨玉芳 + 陶瓷雕塑 ; 参考:《山东理工大学》2017年硕士论文
【摘要】:杨玉芳是我国第一届陶瓷艺术大师,她的作品以表现童真童趣和女子生活为主。她以女性独有的视角观察女性,揣摩少女的内心世界,她手中创作出的仕女,拥有一种独特的恬静和快乐。而她创作的儿童,则充满了童真童趣,嬉笑打闹间尽显活泼单纯。杨玉芳的作品风格甜美快乐、优雅细腻,以“笑态”作为永恒的独特标签,具有鲜明的个人特色,在中国陶瓷雕塑领域独树一帜,占有重要地位。艺术家作品风格的形成取决于很多因素,艺术家们力图通过艺术作品表达对美的追求。不同艺术家由于生活经历、时代、信仰、价值观以及对真理理解的不同,形成了各具特征、风格迥异的艺术审美风格。中国陶艺自建国初期发展至今,先后经历了文化大革命、改革开放、经济全球化等因素影响,在不同的历史时期具有不同的特点。如今国家大力倡导“工匠精神”,复兴发展传统手工艺,陶瓷艺术作为世代传承的传统艺术种类,从业人数逐年增加,涌现出许多杰出的陶瓷艺术大师,其发展也逐渐呈现百花齐放的繁荣局面。杨玉芳的创作经历在一定程度上代表了中国陶瓷雕塑艺术的发展进程,她先后师从陈贻谟老师和张松鹤老师,从开始的一无所知到现在的成就斐然,最离不开的便是她对陶瓷雕塑的热爱。从无到有,又从有到独特,她在时代的发展中更新思想,探索陶瓷雕塑材料创新的最大可能,研究开发了具有亚光效果的“新玉瓷”,并尝试将陶泥和瓷泥进行结合的创作方法。纵观杨玉芳陶瓷雕塑艺术的发展之路,她在实践中不断前进,逐渐走出属于自己独特的艺术风格之路。文主要采用理论文献研究、资料搜集分析、访谈和实地调研等方法搜集相关资料,分别探究杨玉芳的陶瓷人物雕塑艺术经历、艺术家人的艺术风格和艺术特点、以及艺术家陶艺作品的市场价值和艺术价值,并通过对杨玉芳艺术作品的研究,探讨她对雕塑艺术的创作理念,感受她通过作品表现的积极生活态度和对艺术创作身的热爱。杨玉芳在坚持继承传统雕塑手法的基础上,不断的改革创新,探索自己的艺术语言,我们能够透过她的陶瓷雕塑艺术作品,领略到她富有中国古典审美情趣的美学风格。同时,通过研究她不同时期、不同阶段的作品,也能感悟到她对艺术创作手法不断革新的创新精神,从而对今后的艺术创作产生启迪和借鉴作用。
[Abstract]:Yang Yufang is the first ceramic art master in China. Her works mainly express childlike innocence and women's life. She observes women from a female perspective and tries to figure out the inner world of a girl. The lady she creates has a unique tranquillity and happiness. And her creation of children, is full of childlike innocence, playful and playful between the lively and simple. Yang Yufang's works have a sweet and happy style, elegant and delicate, with "laugh" as the eternal unique label, with distinct personal characteristics, unique in the field of Chinese ceramic sculpture, occupies an important position. The formation of artist's style depends on many factors. Artists try to express their pursuit of beauty through their works of art. Because of their different life experiences, times, beliefs, values and understanding of truth, different artists form different artistic aesthetic styles with different characteristics and styles. Chinese pottery art has experienced the Cultural Revolution, reform and opening up, economic globalization and other factors since the founding of the people's Republic of China. It has different characteristics in different historical periods. Today, the country vigorously advocates the "craftsman spirit", revives and develops the traditional handicraft, ceramic art as a traditional art type inherited from generation to generation, the number of practitioners has increased year by year, many outstanding ceramic art masters have emerged. Its development also gradually presents the prosperity situation of a hundred flowers blooming. Yang Yufang's creative experience to a certain extent represents the development process of Chinese ceramic sculpture art. She studied successively from teacher Chen Yimu and teacher Zhang Songhe from the beginning to the present achievement. What she can't do without is her love for ceramic sculpture. From scratch to existence, and from having to being unique, she updated her ideas in the development of the times, explored the greatest possibilities for the innovation of ceramic sculpture materials, and researched and developed "new jade porcelain" with subglowing effect. And try to combine ceramic clay and porcelain mud creative method. Throughout the development of Yang Yufang ceramic sculpture art, she constantly advances in practice, gradually out of her own unique artistic style. This paper mainly uses the methods of theoretical literature research, data collection and analysis, interviews and field research to collect relevant materials, respectively, to explore Yang Yufang's ceramic sculpture art experience, artist's artistic style and artistic characteristics. And the market value and artistic value of the artist's pottery art works, and through the research of Yang Yufang's art works, discusses her creative idea of sculpture art, and feels her positive life attitude and her love of artistic creation body through her works. On the basis of inheriting traditional sculpture techniques, Yang Yufang constantly innovates and explores her own artistic language. Through her ceramic sculpture art works, we can appreciate her aesthetic style which is full of Chinese classical aesthetic taste. At the same time, through the study of her works in different periods and different stages, she can also feel the innovative spirit of her continuous innovation of artistic creation techniques, so as to enlighten and draw lessons from her artistic creation in the future.
【学位授予单位】:山东理工大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J314.8
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