当代抽象雕塑中有机体形象的内在的空间研究（本人作品中心研究）

发布时间：2018-06-19 18:49

本文选题：当代抽象雕塑 + 存在　；参考：《东北师范大学》2014年硕士论文

【摘要】：现代人类社会的进步与发展,文明的建设和人类对物质的运用促进了不同文化之间的联系,形成了一种新的文化系统。现代艺术不是单纯的艺术现象,它还是一个复杂的社会和文化现象。现代雕塑是开拓新空间的原动力,不仅仅缘起于新的视觉经验或新技术的压力,社会现实本身的变化对这一新兴事物的触动更大。本研究的主要思路来自于19世纪雕刻艺术的发展变化过程。这一过程的主要特点是思维方式的转变,从以往高高在上的彼岸世界回归到现实生活中的此岸世界,与现实的人建立真实的联系,反映人们真实的生活状态。这一变化也深刻表现在了我的作品当中,包括作品质料和制作方式的变化,诸如铁和焊接等。与此同时,抽象雕塑逐渐摆脱了视觉上固定的形状模仿,而是更加注重物体在观念中的呈现,再以抽象雕塑的形式展现出来。这是一种视觉与观念的革命,这一变化,带来了空间知觉的转变,并能够使作品同时表现出无限的自由。本文首先从当代雕塑的发展变化开始研究,即明确现代雕塑的特点：有机体形象的不断出现。有机体形象的不断出现,是雕塑中时间与空间概念的变化带来的。通过分析这一变化,并将其运用至我的作品当中,以此来呈现我作品的特点：“有机体形象的内在空间”——通过对雕塑和空间的重新定义,以研究不同客体之间的“关系”。论文分为四大部分。第一章绪论,主要阐述研究目的与意义和研究方法及其范围；第二章主要分析本人作品的的创作背景,定义有机体形象的基本范畴,及呈现其相应的发展阶段；第三章主要分析当代抽象雕塑中有机体形象的内在空间的研究现状与本人作品之间的内在关联及主要分析本人作品的创作主题与制作方法等；第四章结论部分则对全文进行概括总结,形成作者关于现代雕塑中有机体形象的内在空间的基本观点。
[Abstract]:The progress and development of modern human society, the construction of civilization and the use of material have promoted the relationship between different cultures and formed a new cultural system. Modern art is not a simple artistic phenomenon, it is a complex social and cultural phenomenon. Modern sculpture is the motive force to open up new space, not only because of the new visual experience or the pressure of new technology, but also because of the change of the social reality itself. The main idea of this study comes from the development and change of the art of sculpture in the 19 th century. The main characteristic of this process is the change of the mode of thinking. It returns from the high world in the past to the real world in the real life, establishes the real connection with the real people, and reflects the real life state of the people. This change is also deeply reflected in my works, including changes in material and production methods, such as iron and welding. At the same time, abstract sculpture gradually gets rid of the visual fixed shape imitation, but pays more attention to the presentation of objects in the concept, and then presents it in the form of abstract sculpture. This is a revolution of vision and concept, which brings about the change of spatial perception and makes the works show unlimited freedom at the same time. This paper begins with the development and change of contemporary sculpture, that is, defining the characteristics of modern sculpture: the appearance of organism image. The appearance of organism image is caused by the change of time and space in sculpture. By analyzing this change and applying it to my works, this paper presents the characteristics of my works: "the inner space of organism image"-through the redefinition of sculpture and space, to study the "relationship" between different objects. The thesis is divided into four parts. The first chapter introduces the purpose, significance, research method and scope of the research, the second chapter mainly analyzes the background of my works, defines the basic category of the organism image, and presents its corresponding development stage. The third chapter mainly analyzes the research status quo of the internal space of the organic image in the contemporary abstract sculpture and the internal relation between my works, and mainly analyzes the creation theme and the production method of my works. The conclusion of the fourth chapter summarizes the whole text and forms the author's basic views on the inner space of the organic image in modern sculpture.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305

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