岳云生泥塑艺术研究

发布时间：2018-06-21 08:25

本文选题：岳云生 + 民间美术　；参考：《西北师范大学》2012年硕士论文

【摘要】：泥塑艺术是人类文化史中最古老的艺术门类之一，它与原始艺术有着紧密的联系。地处黄河中上游的甘肃是中华民族灿烂文化的重要发祥地，天水麦积山、敦煌莫高窟等石窟中拥有令世界瞩目的绚丽多姿的泥塑造像；甘肃境内出土的大量彩陶艺术充满着神秘的色彩。这些与泥土相关的艺术瑰宝，以其实在的视觉性记录着发生在这块西北大地上的中华民族文明，也言说着一种生生不息的朴实、顽强、豪放的民族精神。生活在黄河边的人们最能理解泥土所赋予人类生存的意义，生长于西北这块土地上的人们对于泥土艺术给予了特别的关注。本文以兰州岳云生泥塑艺术为研究对象，对岳云生艺术素养的养成历程、岳云生泥塑艺术的价值与文化意义、岳云生泥塑艺术的传承与发展进行整理和分析，对岳云生泥塑艺术的题材内容、创作特点、艺术价值、文化意义的探究中，从另一层面能够看到一个艺术家的成长环境、成长经历、艺术素养的累积对其艺术创作的影响作用，还有民间艺术家自身努力下对整体民间美术发展的有力推动。本文以采访调查、实际作品分析为依据，，由表及里、以小观大，并期望能从这样一个民间美术个案中，找到新时代背景下中国民间美术成长、发展的新特点，为以后的民间美术的发展研究提供一定的资料依据。
[Abstract]:Clay sculpture art is one of the oldest art categories in the history of human culture, which is closely related to primitive art. Located in the upper and middle reaches of the Yellow River Gansu is an important birthplace of the splendid culture of the Chinese nation. In Tianshui Maiji Mountain Dunhuang Mogao Grottoes and other grottoes there are colorful clay statues that attract the attention of the world. Gansu unearthed a large number of painted pottery art is full of mysterious color. These earth-related art treasures record the Chinese civilization that happened in this northwest land with the vision of the earth, and also speak of a kind of unceasing simplicity, tenacious, bold national spirit. People living on the edge of the Yellow River can best understand the meaning that soil gives to human survival, and people living in the northwest of China pay special attention to the art of soil. This article takes Yueyun Sheng clay sculpture art as the research object, sorts out and analyzes the cultivation course of Yue Yunsheng's art literacy, the value and cultural significance of Yue Yun Sheng clay sculpture art, the inheritance and development of Yue Yun Sheng clay sculpture art. In exploring the subject matter, creative characteristics, artistic value and cultural significance of Yue Yunsheng's clay sculpture, we can see from another level the influence of an artist's growing environment, growing experience, and accumulation of artistic literacy on his artistic creation. There are folk artists themselves efforts to promote the overall development of folk art. This article is based on interview and investigation, analysis of actual works, from outside to inside, from small to large, and looks forward to finding the new characteristics of the growth and development of Chinese folk art under the background of the new era from such a case of folk art. For the development of folk art in the future to provide a certain basis for development.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J314.7

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