闽台现当代雕塑艺术研究

发布时间：2018-06-24 10:05

本文选题：闽台 + 现当代　；参考：《福州大学》2014年硕士论文

【摘要】：福建和台湾有共同的文化血脉,没有语言上的障碍,两地的艺术家们交流起来自然顺畅。闽台现当代雕塑的研究在雕塑理论研究中鲜有涉足。笔者初衷是通过本文的研究搭建起一个闽台雕塑艺术交流的平台,使得闽台雕塑家们相互了解,互通有无。全篇论文的研究对象是闽台地区的现当代雕塑,其涉及的内容不仅是雕塑艺术,还包含着两岸历史文化背景等相关研究。笔者大胆的尝试,将近百年的闽台现当代雕塑艺术,分别从艺术手法、雕塑语言、形式语言三方面展开讨论,并对闽台代表性雕塑家进行深入探讨。串联起闽台地区各个时期的代表性作品,让各种艺术思潮影响下的雕塑创作尽情的展示出来。论文主要运用了学科交叉法、案例分析法、对比法这三种研究方法。论文通过对闽台雕塑的研究,帮助人们更好的了解两地的雕塑艺术,笔者借本篇论文,愿能产生抛砖引玉的效果。论文的第一章主要对论文题目的选择做出阐述,表明笔者的研究目的,再从闽台现当代雕塑的研究现状,说明本文研究的独特意义。第二章是对闽台两地历史源流的挖掘与闽台文化的阐述,而后进一步从整个雕塑界的艺术视野,论述对现当代雕塑的界定以及闽台现当代雕塑的发展历程。第三章是对闽台现当代雕塑家中不同时代的代表性艺术家的专题研究。第四章主要从闽台现当代雕塑的艺术手法方面进行分析,包括具象雕塑、抽象雕塑与意象雕塑的讨论。第五章笔者立足于形式语言的探讨,对方向感、重叠设计、倾斜动感形式三方面分析,并对闽台现当雕塑中的典型创作形式进行研究。在研究中比较出,台湾现当代雕塑发展的轨迹有部分与西方一致,出现过重合。而福建的雕塑是跨越式发展,在追赶西方的步伐,这个过程中就跨过了不少对雕塑实验性创作与艺术广范性的研究。福建的现代雕塑史是从传统的写实主义阶段,一大步进入了后现代,跨越了现代主义。现代主义雕塑并非我们的优势,而福建的雕塑艺术作品中一直都存在这一方面的缺失。笔者微薄的研究,但愿为两岸雕塑家的交流发展和雕塑艺术的现代化教育尽些绵薄之力。
[Abstract]:Fujian and Taiwan share a common cultural lineage, without language barriers, and artists from both sides naturally communicate smoothly. The research of modern and contemporary sculpture in Fujian and Taiwan is seldom involved in the research of sculpture theory. The original intention of the author is to build a platform for the exchange of sculpture art between Fujian and Taiwan through the research of this paper, so that the sculptors of Fujian and Taiwan can understand each other and exchange needs. The research object of the whole thesis is the modern and contemporary sculpture in Fujian and Taiwan, which involves not only sculpture art, but also historical and cultural background of both sides of the strait. The author tries boldly to discuss the modern and contemporary sculpture art of Fujian and Taiwan for nearly a hundred years from three aspects: artistic technique, sculpture language and formal language, and deeply discusses the representative sculptors of Fujian and Taiwan. The representative works of each period of Fujian and Taiwan are connected in series, so that the sculpture creation under the influence of various artistic trends can be displayed heartily. This paper mainly uses three kinds of research methods: interdisciplinary method, case analysis method and contrast method. Through the research on the sculpture of Fujian and Taiwan, this paper helps people to understand the sculpture art of both places better. The first chapter of the thesis mainly describes the choice of the title of the paper, indicating the purpose of the research, and then from the present situation of the contemporary sculpture research in Fujian and Taiwan, explains the unique significance of this study. The second chapter is the excavation of the historical source of Fujian and Taiwan and the elaboration of the culture of Fujian and Taiwan, and then from the art field of the whole sculpture field of vision, discusses the definition of modern and contemporary sculpture and the development of modern and contemporary sculpture in Fujian and Taiwan. The third chapter is the special research on the representative artists of different times among the contemporary sculptors in Fujian and Taiwan. The fourth chapter mainly analyzes the art techniques of modern and contemporary sculpture in Fujian and Taiwan, including the discussion of figurative sculpture, abstract sculpture and image sculpture. The fifth chapter is based on the discussion of formal language, the opposite side sense, overlapping design, tilt dynamic form of three aspects analysis, and the typical creative form of Fujian and Taiwan as sculpture were studied. In the study, it is found that the track of modern and contemporary sculpture development in Taiwan is consistent with that of the West. In the process of catching up with the western countries, the sculpture in Fujian has stride over many researches on experimental creation and extensive artistic model of sculpture. The history of modern sculpture in Fujian is a big step from the traditional realism stage to postmodernism. Modernist sculpture is not our advantage, and Fujian sculpture works of art has always been the absence of this aspect. The author's modest research, I hope to contribute to the development of cross-Strait sculpture exchanges and modern education of sculpture art.
【学位授予单位】：福州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J305

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