本人雕塑创作中的随机造型语言
发布时间：2018-10-29 18:06
【摘要】：数学中的概念与笔者所说的概念不同,在数学中事件发生之前已经明确知道了会不会发生的事件,不明确的是不知道它会不会发生。在创作中也有这一情况,例如对一些事先想到的一些形态或元素,而在创作过程中视情况而定,对其进行取舍,这也是随机的。如在创作之初对材料的选择,笔者知道材料本身所带着的肌理纹路又是随机产生的,这种随机性也是造成肌理美的重要原因。而不同的是在创作过程中时常会出现完全意料不到的审美形态,这是一种偶然的创作发现之美;也体现在创作内容上,在创作过程中或作品完成时发现作品却可以表达另外的意义。这里取其在事件发生之前看待事物的观念,在创作之前明确其中的确定形象,并给与不确定的随机形象以想象发挥的空间。随机现象在日常生活中随处可见,而对雕塑中随机形象的研究无疑可以丰富雕塑的形式语言。一盒火柴排列有序然,我们随意散落到地上变得杂乱无序很容易,要使它恢复到原来的有序状态,则要困难得多。在雕塑实践中,一桶泥可以看做无序状态,想要捏塑成符合人物特点具象形象的有序状态,是要经过纷繁复杂的制作过程,审美过程,翻制修补过程,形成富有写实表现力的雕塑。而一桶泥也可以看做是有序状态,我们可以随意的捏塑成千变万化的无序形态,这样要容易得多,这些千变万化的随机形象经过,审美取舍,保留下来成为雕塑创作的一部分,这无疑开展了雕塑外在的形式语言。在创作时对其中随机出现的形象进行审美选择或直接保留,使之成为作品的一部分,就是随机造型的方法。
[Abstract]:The concept in mathematics is different from the concept mentioned by the author. Before the occurrence of an event in mathematics, it is clear whether the event will happen or not, but it is not clear whether it will happen or not. This is also the case in the creation, for example, for some beforehand thought of some form or element, and in the creative process, depending on the situation, to make a choice, which is also random. For example, the selection of materials at the beginning of creation, the author knows that the texture of the material itself is random, this randomness is also an important reason for the beauty of texture. The difference is that in the process of creation, there will often appear completely unexpected aesthetic form, which is a kind of accidental creation of the beauty of discovery; Also embodied in the content of creation, in the process of creation or the completion of the work found that the work can express another meaning. In this paper, the idea of looking at things before the event is taken, the definite image is defined before the creation, and the space of imagination is given to the uncertain random image. Random phenomena can be seen everywhere in daily life, and the study of random images in sculpture can undoubtedly enrich the formal language of sculpture. A box of matches is arranged in an orderly order, and it is much more difficult to get it back to order when we drop it to the ground at will. In the practice of sculpture, a bucket of mud can be seen as a state of disorder. If you want to knead and shape an orderly state that conforms to the figure's characteristics and figurines, it is necessary to go through the complicated production process, the aesthetic process, and the process of turning over and repairing. Form realistic and expressive sculptures. And a bucket of mud can also be seen as an orderly state. We can knead at will to form a disorderly form of ever-changing, which is much easier. These ever-changing random images go through, aesthetic choices, and remain a part of sculpture creation. This undoubtedly develops the sculpture external form language. The method of random modeling is to make aesthetic choice or direct retention of the random appearance of the image in the process of creation so that it becomes a part of the work.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J304
本文编号：2298402
[Abstract]:The concept in mathematics is different from the concept mentioned by the author. Before the occurrence of an event in mathematics, it is clear whether the event will happen or not, but it is not clear whether it will happen or not. This is also the case in the creation, for example, for some beforehand thought of some form or element, and in the creative process, depending on the situation, to make a choice, which is also random. For example, the selection of materials at the beginning of creation, the author knows that the texture of the material itself is random, this randomness is also an important reason for the beauty of texture. The difference is that in the process of creation, there will often appear completely unexpected aesthetic form, which is a kind of accidental creation of the beauty of discovery; Also embodied in the content of creation, in the process of creation or the completion of the work found that the work can express another meaning. In this paper, the idea of looking at things before the event is taken, the definite image is defined before the creation, and the space of imagination is given to the uncertain random image. Random phenomena can be seen everywhere in daily life, and the study of random images in sculpture can undoubtedly enrich the formal language of sculpture. A box of matches is arranged in an orderly order, and it is much more difficult to get it back to order when we drop it to the ground at will. In the practice of sculpture, a bucket of mud can be seen as a state of disorder. If you want to knead and shape an orderly state that conforms to the figure's characteristics and figurines, it is necessary to go through the complicated production process, the aesthetic process, and the process of turning over and repairing. Form realistic and expressive sculptures. And a bucket of mud can also be seen as an orderly state. We can knead at will to form a disorderly form of ever-changing, which is much easier. These ever-changing random images go through, aesthetic choices, and remain a part of sculpture creation. This undoubtedly develops the sculpture external form language. The method of random modeling is to make aesthetic choice or direct retention of the random appearance of the image in the process of creation so that it becomes a part of the work.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J304
【参考文献】
相关期刊论文 前1条
1 刘曦林;写意·随机·严整——张立辰花鸟画赏记[J];美术;1997年02期
，本文编号：2298402
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