大足北山石刻艺术建筑图像研究
发布时间：2018-11-12 11:29
【摘要】：巴蜀地区在我国宗教艺术史发展脉络上是具有不可替代性的重要区域;其摩崖石刻造像居全国各地石窟数量之冠。其中大足石刻当属巴蜀石刻艺术的领军代表;不仅体现北方石窟艺术风格的南渐,而且在遵循佛教造像仪轨的基础上,融合巴蜀独特的地域性因素形成特异性的石刻艺术风格。北山石刻艺术是构成大足石刻整体艺术场域中的重要部分,集中了五代、晚唐、两宋的石刻艺术作品;建筑图像作为宗教石窟艺术装饰图式中不可或缺的组成部分,但至今学界对其的系统研究仍处于初级阶段。本文主要研究对像是大足北山佛湾石刻艺术中的建筑图像,通过实地田野调查、测绘进行资料收集与分类梳理,总结巴蜀石刻艺术中建筑图像的特异性形式、风格。第一章:主要是针对大足北山石刻艺术的国内外研究综述。第二章:从自然地理属性、政治经济环境、历史人文渊和宗教文化底蕴四个视角深入分析大足北山石刻艺术中的建筑图像的源起及影响。探讨其与文献记载的关联性,总结其源起自身发展的特点。第三章:首先从时空维度对大足北山石刻艺术中的建筑图像进行归纳整理;其次按宗教建筑图像的不同功能性对大足北山石刻艺术中的建筑图像进行类型学分类归纳;最后从造型特点与经营位置两个主要方面对建筑图像的形式与风格特征进行总结。第四章:探究大足北山建筑图像中存在的图式(稳定的图像模式)。因此在基于建筑图像源起的背景下,以大足北山石刻艺术中建筑图像为研究对象,找到一条有效的路径去挖掘其蕴含的传统宗教精神内涵与艺术形式、风格的审美意蕴。
[Abstract]:The Bashu region is an irreplaceable important region in the development of the history of religious art in China, and its cliff stone carvings rank the highest in the number of grottoes all over the country. Among them, Dazu stone carving is the leading representative of Bashu stone carving art, which not only reflects the southward development of northern grotto art style, but also integrates the unique regional factors of Bashu to form a specific stone carving art style on the basis of following the Buddhist idolatry ritual. Beishan stone carving art is an important part of the whole art field of Dazu stone carvings, which includes five dynasties, late Tang and two Song dynasties. Architectural image is an indispensable part of religious grottoes decorative schemata, but the systematic research on it is still in its primary stage. This paper mainly studies the architectural images in the stone carving art of the Buddha Bay in Dazu North Mountain. Through field investigation, surveying and mapping to collect and sort out the data, and summarize the specific form and style of the architectural images in the Bashu stone carving art. The first chapter: mainly aimed at Dazu North Mountain stone carving art at home and abroad research summary. The second chapter analyzes the origin and influence of the architectural images in the stone carving art of Dazu Beishan from the following four perspectives: natural geographical attribute, political and economic environment, history, humanities and religious culture. The relationship between it and the literature is discussed, and the characteristics of its own development are summarized. Chapter three: firstly, the architectural images of Dazu Beishan stone carving art are summarized and sorted from the dimension of time and space; secondly, the architectural images of Dazu Beishan stone carving art are classified and summarized according to the different functions of religious architectural images. Finally, the form and style features of architectural images are summarized from the aspects of modeling characteristics and management position. Chapter four: explore the schemata (stable image pattern) in the architecture image of Dazu North Mountain. Therefore, based on the background of the origin of the architectural images, taking the architectural images in the stone carving art of Dazu Beishan as the research object, we find an effective way to excavate the connotation of the traditional religious spirit, the artistic form and the aesthetic meaning of the style.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J313.2
本文编号：2326980
[Abstract]:The Bashu region is an irreplaceable important region in the development of the history of religious art in China, and its cliff stone carvings rank the highest in the number of grottoes all over the country. Among them, Dazu stone carving is the leading representative of Bashu stone carving art, which not only reflects the southward development of northern grotto art style, but also integrates the unique regional factors of Bashu to form a specific stone carving art style on the basis of following the Buddhist idolatry ritual. Beishan stone carving art is an important part of the whole art field of Dazu stone carvings, which includes five dynasties, late Tang and two Song dynasties. Architectural image is an indispensable part of religious grottoes decorative schemata, but the systematic research on it is still in its primary stage. This paper mainly studies the architectural images in the stone carving art of the Buddha Bay in Dazu North Mountain. Through field investigation, surveying and mapping to collect and sort out the data, and summarize the specific form and style of the architectural images in the Bashu stone carving art. The first chapter: mainly aimed at Dazu North Mountain stone carving art at home and abroad research summary. The second chapter analyzes the origin and influence of the architectural images in the stone carving art of Dazu Beishan from the following four perspectives: natural geographical attribute, political and economic environment, history, humanities and religious culture. The relationship between it and the literature is discussed, and the characteristics of its own development are summarized. Chapter three: firstly, the architectural images of Dazu Beishan stone carving art are summarized and sorted from the dimension of time and space; secondly, the architectural images of Dazu Beishan stone carving art are classified and summarized according to the different functions of religious architectural images. Finally, the form and style features of architectural images are summarized from the aspects of modeling characteristics and management position. Chapter four: explore the schemata (stable image pattern) in the architecture image of Dazu North Mountain. Therefore, based on the background of the origin of the architectural images, taking the architectural images in the stone carving art of Dazu Beishan as the research object, we find an effective way to excavate the connotation of the traditional religious spirit, the artistic form and the aesthetic meaning of the style.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J313.2
【参考文献】
相关期刊论文 前1条
1 葛兆光;;思想史家眼中之艺术史——读2000年以来出版的若干艺术史著作和译著有感[J];清华大学学报(哲学社会科学版);2006年05期
，本文编号：2326980
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