作为构造的世界剧
发布时间：2018-11-16 13:47
【摘要】：本文以莫霍利-纳吉的两本重要著作《新视觉》和《运动中的视觉》为核心,结合威廉·塔克的《雕塑的语言》和罗莎琳·克劳斯的《现代雕塑的变迁》,对莫霍利-纳吉的雕塑观进行了讨论。文章认为,纳吉深受"总体艺术"论的影响,这使他的思想和实践兼具多样性和系统性的特征。他对于雕塑发展的认识虽然具有进步论的特点,但他也能够创造性的把古典雕塑对光影和表现性理解融入到了他自己的作品中。正是这种对于价值判断的"相对性"而非"绝对性"的强调,使他的《光显示机:动态雕塑》在罗莎琳·克劳斯的分析中成为现代雕塑家中利用"剧场性"的一位先驱。事实上,莫霍利-纳吉远比学界将之作为"构成主义者"的简单归类要复杂得多。他的总体艺术思维方式帮他建构了一个多维度的大厦,当我们在对他的某一个维度进行批评时,又总是能够在他思考的另外一个维度上看到其思考的合理性。而且,纳吉总是力求把自己对于艺术的思考与这个时代所面临的种种现实问题和精神困境相联系,这就使他的雕塑观超越了一般意义上的技术论模式。
[Abstract]:This paper focuses on Moholy-Naji 's two important works, New Vision and Vision in Motion, combined with William Tucker's the language of Sculpture and Rosalyn Klaus's the transition of Modern Sculpture. The sculpture view of Moholly Naji is discussed. The article holds that Naji is deeply influenced by the theory of "general art", which makes his thought and practice have the characteristics of diversity and systematicness. Although his understanding of sculpture development has the characteristics of progressivism, he can also creatively integrate classical sculpture's understanding of light, shadow and expressiveness into his own works. It is this emphasis on "relativity" rather than "absoluteness" of value judgment that makes his "Light display Machine: dynamic Sculpture" a pioneer in the use of "theater" among modern sculptors in Rosalyn Klaus' analysis. In fact, Moholey Naji is far more complicated than the simple categorization of "constructivism". His general artistic thinking mode helped him to construct a multi-dimensional edifice. When we criticize one of his dimensions, we can always see the rationality of his thinking in the other dimension of his thinking. Moreover, Naji always tries to connect his thinking on art with the practical problems and spiritual difficulties in this era, which makes his sculpture view transcend the general mode of technology theory.
【作者单位】： 中央美术学院;
【分类号】：J305
本文编号：2335670
[Abstract]:This paper focuses on Moholy-Naji 's two important works, New Vision and Vision in Motion, combined with William Tucker's the language of Sculpture and Rosalyn Klaus's the transition of Modern Sculpture. The sculpture view of Moholly Naji is discussed. The article holds that Naji is deeply influenced by the theory of "general art", which makes his thought and practice have the characteristics of diversity and systematicness. Although his understanding of sculpture development has the characteristics of progressivism, he can also creatively integrate classical sculpture's understanding of light, shadow and expressiveness into his own works. It is this emphasis on "relativity" rather than "absoluteness" of value judgment that makes his "Light display Machine: dynamic Sculpture" a pioneer in the use of "theater" among modern sculptors in Rosalyn Klaus' analysis. In fact, Moholey Naji is far more complicated than the simple categorization of "constructivism". His general artistic thinking mode helped him to construct a multi-dimensional edifice. When we criticize one of his dimensions, we can always see the rationality of his thinking in the other dimension of his thinking. Moreover, Naji always tries to connect his thinking on art with the practical problems and spiritual difficulties in this era, which makes his sculpture view transcend the general mode of technology theory.
【作者单位】： 中央美术学院;
【分类号】：J305
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