毛泽东塑像研究

发布时间：2018-11-18 22:08

【摘要】： 本文主要通过对毛泽东塑像进行全面的考辨、梳理与议评,以及探究其动态的成因、变革,图式的分类,公共事务的组织构成,公共性的差异,从而使该艺术门类的成就及历史影响得以多层次、多视角、有系统的清晰呈现。在研究方法上,本文从“毛泽东塑像”的史料与文献出发,结合图片资料,对各个时期的“毛泽东塑像”进行分析:借以图像学、符号学、公共空间理论呈现毛泽东像由“偶像”到“神像”,由“崇拜”到“颠覆”的转变。本文将新中国“毛泽东塑像”抽离出毛泽东美术,并进行了历史分期,对四个时期的“毛泽东塑像”逐一研究,把“毛泽东塑像”分为文革美术、改革开放后的官方艺术、民间制像、城市雕塑、当代艺术、消费时代几大范畴先述后议,得出一些新的观点,较全面、深入地展现了百年“毛泽东塑像”美术的发展轨迹与公共性意义。
[Abstract]:This article mainly through the comprehensive textual research to Mao Zedong statue, combs and comments, as well as probes into its dynamic cause of formation, the transformation, the schema classification, the public affairs organization constitution, the public difference, Thus, the achievement and historical influence of this kind of art can be presented clearly and systematically. In terms of research methods, this paper starts from the historical materials and documents of the statue of Mao Zedong and combines with the picture materials to analyze the statue of Mao Zedong in various periods: from the perspective of iconology and semiotics, The theory of public space presents the transformation of Mao Zedong's image from idolatry to idol, from worship to subversion. This paper draws the "statue of Mao Zedong" from Mao Zedong Art in New China, and carries on the historical stages, studies the "statue of Mao Zedong" in four periods one by one, divides the "statue of Mao Zedong" into the fine arts of the Cultural Revolution and the official art after the reform and opening up. The folk system, urban sculpture, contemporary art and consumption era are discussed first and then discussed, and some new viewpoints are obtained, which comprehensively and deeply show the development track and public significance of the hundred years "Mao Zedong statue" art.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J313.1

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