周国桢陶瓷雕塑的建筑性研究
发布时间：2018-12-15 03:15
【摘要】：陶瓷雕塑是形体与色彩相结合的产物，它们是辩证统一的关系，形体的结构影响釉色的效果，釉色也作用于雕塑的体块结构,陶瓷雕塑引入建筑性的概念将更好的去研究、创作陶瓷雕塑。 周国桢先生在景德镇创作陶瓷雕塑近六十余载，，从上世纪五十年代开始改变着固守千年传统的景德镇陶瓷艺术：五十年代他改变景德镇传统佛教题材，从事现代人物陶瓷雕塑创作，拉开了一个开放的学术化陶瓷艺术概念的序幕；六十年代他首次将颜色釉引入陶瓷雕塑，创造出一个现代陶瓷雕塑的五彩缤纷的领域；八十年代中期周先生回归本土文化，拓展出一条古朴天成、回归自然的古风艺术道路；八十年代末期，经过以上三个时期的变革，周先生迎来了创作生涯的最富革命性的变革，放弃雕与塑的陶瓷雕塑最根本的创作手法，用泥条盘筑法与泥板卷筒成型法创作了大量现代陶艺的经典作品；二十一世纪初期，年近八旬的周先生再次作出革命性贡献，将陶瓷雕塑放大成为城市雕塑，将立体陶瓷雕塑搬到室外与环境相结合。 周先生陶瓷雕塑建筑性贯穿他的整个创作生涯，围绕两条脉络：一条是雕塑的本体性，形而下的形体感觉,主要是其造型以及颜色肌理的变革；另一条是形而上的精神气质，是其作品内涵以及对社会变迁的反映，系统性、选择性的反映了半个世纪的社会事件。
[Abstract]:Ceramic sculpture is the product of the combination of form and color. They are dialectical and unified. The structure of the body affects the effect of the glaze, and the glaze also acts on the block structure of the sculpture. The introduction of the concept of architecture into the ceramic sculpture will be better studied. Create ceramic sculptures. Mr. Zhou Guozhen created ceramic sculptures in Jingdezhen for more than 60 years. Since the 1950s, he has changed the ceramic art of Jingdezhen, which adheres to the millennium tradition. In the 1950s, he changed the theme of traditional Buddhism in Jingdezhen. Engaged in modern figure ceramic sculpture creation, opened an open academic ceramic art concept prelude; In the 1960s, he first introduced colored glaze into ceramic sculptures and created a colorful field of modern ceramic sculptures. In the mid-1980s, Mr. Zhou returned to native culture and developed an ancient style art road. In the late 1980s, after the above three periods of change, Mr. Zhou ushered in the most revolutionary changes in his creative career and gave up the most fundamental creative techniques of carving and sculpting ceramic sculptures. A large number of classical works of modern ceramic art have been created by means of the method of building clay strips and reels of clay plates. In the early 21 century, Mr. Zhou, who was nearly 80 years old, once again made a revolutionary contribution, magnifying the ceramic sculpture into a city sculpture, and moving the three-dimensional ceramic sculpture to the outdoor with the combination of the environment. Zhou's ceramic sculpture architecture runs through his entire creative career, around two threads: one is the Noumenon of the sculpture, the shape of the feeling, mainly its shape and color texture changes; The other is metaphysical ethos, which reflects the connotation of his works and social changes, systematically and selectively, reflecting the social events of half a century.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2379865
[Abstract]:Ceramic sculpture is the product of the combination of form and color. They are dialectical and unified. The structure of the body affects the effect of the glaze, and the glaze also acts on the block structure of the sculpture. The introduction of the concept of architecture into the ceramic sculpture will be better studied. Create ceramic sculptures. Mr. Zhou Guozhen created ceramic sculptures in Jingdezhen for more than 60 years. Since the 1950s, he has changed the ceramic art of Jingdezhen, which adheres to the millennium tradition. In the 1950s, he changed the theme of traditional Buddhism in Jingdezhen. Engaged in modern figure ceramic sculpture creation, opened an open academic ceramic art concept prelude; In the 1960s, he first introduced colored glaze into ceramic sculptures and created a colorful field of modern ceramic sculptures. In the mid-1980s, Mr. Zhou returned to native culture and developed an ancient style art road. In the late 1980s, after the above three periods of change, Mr. Zhou ushered in the most revolutionary changes in his creative career and gave up the most fundamental creative techniques of carving and sculpting ceramic sculptures. A large number of classical works of modern ceramic art have been created by means of the method of building clay strips and reels of clay plates. In the early 21 century, Mr. Zhou, who was nearly 80 years old, once again made a revolutionary contribution, magnifying the ceramic sculpture into a city sculpture, and moving the three-dimensional ceramic sculpture to the outdoor with the combination of the environment. Zhou's ceramic sculpture architecture runs through his entire creative career, around two threads: one is the Noumenon of the sculpture, the shape of the feeling, mainly its shape and color texture changes; The other is metaphysical ethos, which reflects the connotation of his works and social changes, systematically and selectively, reflecting the social events of half a century.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
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本文编号：2379865
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