赣南客家传统民居装饰雕塑研究
发布时间：2018-12-25 13:54
【摘要】：本文从类型学入手，通过大量的实地考察，对赣南客家传统民居中的装饰雕塑进行深入剖析和总结。 一方文化滋养一方艺术，赣南古民居上的装饰雕塑，反映了当时赣南地区的政治经济、生产生活、伦理习俗、文化艺术等现实状况，是客家历史文化的缩影。本文首先对装饰雕塑的概念、特征、分类、功能以及艺术载体进行整理归纳，揭示雕塑和建筑的内在联系，然后通过对赣南自然和人文环境的解读，总结出赣南客家传统民居装饰雕塑具有五种审美特征：意象的造型美、流动的线条美、古拙的材料美、蔓延的空间美、灵动的工艺美。其次结合赣南地域文化，挖掘其美的源泉，进而提炼出装饰雕塑拥有“生命”、“民俗”、“风水”、“活态”四种文化特质，，这反映出赣南客家装饰雕塑深厚的文化底蕴。研究是为了传承创新，最后谈到装饰雕塑对现代环境设计的启示以及在现实生活中如何具体的运用。
[Abstract]:Starting with typology, this paper analyzes and summarizes the decorative sculptures in the traditional Hakka houses in Gannan through a large number of field visits. The culture of one side nourishes one side of art, and the decorative sculptures on the ancient houses of Gannan reflect the political economy, production and life, ethical custom, culture and art of the region at that time, and are the epitome of Hakka history and culture. In this paper, the concept, characteristics, classification, function and artistic carrier of decorative sculpture are summarized, and the inherent relationship between sculpture and architecture is revealed, and then the natural and humanistic environment of Gannan is interpreted. It is concluded that the decorative sculpture of the Hakka traditional residence in Gannan has five aesthetic features: the beauty of image modeling, the beauty of flowing lines, the beauty of ancient materials, the beauty of spreading space and the beauty of craftsmanship. Secondly, combining with the regional culture of Gannan, the author excavates the source of its beauty, and then abstracts the four cultural characteristics of decorative sculpture: "life", "folklore", "fengshui" and "living state", which reflects the profound cultural background of Gannan Hakka decorative sculpture. The purpose of the research is to inherit and innovate. Finally, the enlightenment of decorative sculpture to modern environmental design and how to use it in real life are discussed.
【学位授予单位】：赣南师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU241.5;J305
本文编号：2391216
[Abstract]:Starting with typology, this paper analyzes and summarizes the decorative sculptures in the traditional Hakka houses in Gannan through a large number of field visits. The culture of one side nourishes one side of art, and the decorative sculptures on the ancient houses of Gannan reflect the political economy, production and life, ethical custom, culture and art of the region at that time, and are the epitome of Hakka history and culture. In this paper, the concept, characteristics, classification, function and artistic carrier of decorative sculpture are summarized, and the inherent relationship between sculpture and architecture is revealed, and then the natural and humanistic environment of Gannan is interpreted. It is concluded that the decorative sculpture of the Hakka traditional residence in Gannan has five aesthetic features: the beauty of image modeling, the beauty of flowing lines, the beauty of ancient materials, the beauty of spreading space and the beauty of craftsmanship. Secondly, combining with the regional culture of Gannan, the author excavates the source of its beauty, and then abstracts the four cultural characteristics of decorative sculpture: "life", "folklore", "fengshui" and "living state", which reflects the profound cultural background of Gannan Hakka decorative sculpture. The purpose of the research is to inherit and innovate. Finally, the enlightenment of decorative sculpture to modern environmental design and how to use it in real life are discussed.
【学位授予单位】：赣南师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU241.5;J305
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本文编号：2391216
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