论佛教雕塑东来以后造像造型的根本变因
发布时间：2018-12-28 10:30
【摘要】： 如果将佛教雕塑拿去,中国古代雕塑将无法想象。中国佛教雕塑源于印度,印度雕塑又源于古希腊,可是中国雕塑与西方雕塑却大不同,西方雕塑讲光影凹凸,中国雕塑却重线条,从西方来的雕塑是怎样被改造成后来的样子,又为什么会变成那个样子,这是个有意思的问题,笔者从文献对比、考证的角度对此加以梳理,进行发掘和阐述,从而欲向历史和文化方面寻求答案,并期之以对当今雕塑创作能有所助益。
[Abstract]:If Buddhist sculpture is taken away, ancient Chinese sculpture will be unimaginable. Chinese Buddhist sculptures originated from India, Indian sculptures from ancient Greece, but Chinese sculptures are quite different from Western sculptures. Western sculptures speak of light and shadow, but Chinese sculptures are heavy on lines. How did sculptures from the West be transformed into what they were later like? And why did it become that way? this is an interesting question. The author combs it from the point of view of literature comparison and textual research, excavates and expounds it, so as to seek answers from historical and cultural aspects. It is helpful to sculpture creation today.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J209.2
本文编号：2393839
[Abstract]:If Buddhist sculpture is taken away, ancient Chinese sculpture will be unimaginable. Chinese Buddhist sculptures originated from India, Indian sculptures from ancient Greece, but Chinese sculptures are quite different from Western sculptures. Western sculptures speak of light and shadow, but Chinese sculptures are heavy on lines. How did sculptures from the West be transformed into what they were later like? And why did it become that way? this is an interesting question. The author combs it from the point of view of literature comparison and textual research, excavates and expounds it, so as to seek answers from historical and cultural aspects. It is helpful to sculpture creation today.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J209.2
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2 顾农;;从《竹林七贤论》看戴逵其人[J];古典文学知识;2007年03期
3 王荣才;选择与重构:佛教与中国传统文化融合的内在机制[J];江苏社会科学;1997年04期
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