雕刻出手感的无限可能——非洲传统木雕的手工艺之美
发布时间：2019-06-10 02:49
【摘要】：正非洲传统木雕不需草图的直接雕刻,抛却任何概念与理论的束缚,其创作的冲动并非来自观察或是因循,而更像是一场艺术家与材料的精彩邂逅。在每一刀痕之间似乎都可望见创作者陶醉在过程中完全回归自然、纯粹忘我的表情,感受到他们手执利刃时扩散出的无比坚强意志与毫不妥协的精神。一、依木造型不需要草图的直接雕刻,
[Abstract]:The traditional wood carving in Africa does not need the direct engraving of sketches, abandoning the shackles of any concept and theory, and its impulse to create is not from observation or follow, but more like a wonderful encounter between an artist and a material. Between each knife mark, it seems that the creator can be seen completely returning to nature in the process, pure selfless expression, feeling the extremely strong will and unyielding spirit that they spread when they hold the sharp blade in their hands. First, according to wood modeling, there is no need for direct engraving of sketches.
【作者单位】： 南京艺术学院高职院;
【分类号】：J314.2
[Abstract]:The traditional wood carving in Africa does not need the direct engraving of sketches, abandoning the shackles of any concept and theory, and its impulse to create is not from observation or follow, but more like a wonderful encounter between an artist and a material. Between each knife mark, it seems that the creator can be seen completely returning to nature in the process, pure selfless expression, feeling the extremely strong will and unyielding spirit that they spread when they hold the sharp blade in their hands. First, according to wood modeling, there is no need for direct engraving of sketches.
【作者单位】： 南京艺术学院高职院;
【分类号】：J314.2
【相似文献】
相关期刊论文 前10条
1 高振平;;论威廉·莫里斯[J];艺术与设计(理论);2007年01期
2 林幸民;;浅析苏州红木雕在中国木雕界的杰出地位[J];科教文汇(上旬刊);2011年09期
3 丛南;;潍坊:手工艺里的智慧[J];中国新闻周刊;2006年12期
4 杨成寅;;王凤祚木雕艺术学派的成就和发展前景[J];浙江工艺美术;1996年03期
5 池v胠，
本文编号：2496108
本文链接：https://www.wllwen.com/wenyilunwen/diaosuzhuangshi/2496108.html
