论新时期满族女作家的小说创作

发布时间：2018-01-02 18:04

本文关键词：论新时期满族女作家的小说创作　出处：《辽宁大学》2015年硕士论文　论文类型：学位论文

【摘要】：作为一个古老的少数民族,满族独特的民族文化与辉煌的民族历史赋予了满族女作家得天独厚的创作优势,虽然历史的车轮滚滚向前,但是满族女作家骨子中的民族烙印却没有随着社会的变迁和岁月的流逝而消退。满族女作家具有着女性身份、少数民族身份和知识分子身份三种身份维度,这三种身份互相冲突又互相融合:女性身份使家族在满族女作家的女性记忆中留下独特的印记,并呈现出“人性解放——人性上升——人格完成”三个阶段;少数民族身份使她们感受到血液中流淌着的来自先民的昭示;知识分子身份又使她们谨记知识分子的使命,书写着被正史遗忘的民间历史与男性历史背后被遮蔽的女性史实。在这三种身份的时而耦合、时而对抗中,最终构成了满族女作家丰富多彩又富有张力的独特叙事。本论文总体上分为四大部分,分别从主题类型、艺术表现、价值功能和反思四个不同维度对当代满族女作家的小说创作加以剖析,进而对中国当代少数民族文学进行观照和反思。本论文第一部分介绍了新时期满族女作家小说创作的民族文化渊源。首先,满族有着独特的历史文化特征,特殊的自然地理环境与经济生产方式塑造了满族人民独特的民族性格,这种民族性格又在文学作品中得以充分展现。其次,民族深厚的文化历史成为了当代满族女作家文学创作的独特背景与文化源泉,她们用自己的文字展现着对于古老民族的体认与追寻。本论文第二部分运用归纳演绎法按时间顺序梳理了新时期满族女作家小说创作的主题类型。在民族历史文化的滋养下,当代满族女作家多偏爱和擅长弘大的历史叙事:作为女性她们勾勒着女性记忆中的家族史;作为满族人她们追忆着满族民族史;作为知识分子她们挖掘着被正史遮蔽的边缘史。她们游走于民族身份、女性身份与知识分子身份之间,在三者构成的叙事张力间展现着她们对于历史的感知与把握。本论文的第三部分运用文本细读法剖析了新时期满族女作家小说创作的艺术表现。首先,在叙事追求上,作为女性,作为少数民族,受其自身女性记忆与民族身份的影响,当代满族女作家的小说成为了女性叙事与民族叙事耦合的场所,女性记忆与民族经验的融合和勾连使得叙事呈现出极富穿透力的多层叙事空间和叙事张力。其次,在人物塑造上,作为满族人,作为知识分子,满族女作家对满族拥有一种血亲感受的同时,运用现代知识女性的理性思维塑造着、反思着满族历史上形形色色的人物,以博大的人文情怀追溯着一个古老民族的过去,憧憬着一个优秀民族的未来。再次,在语言风格上,生长、生活在汉族文化圈的满族女作家在满族文化的熏染和汉族文化的哺育中拥有着双重文化思维,其文学创作语言具备了独特的风格。本论文的第四部分运用理论与文本相结合的方法从情怀、叙事、文化与审美四个维度总结了新时期满族女作家小说创作的价值功能。首先,满族女作家骨血里拥有着祖先悲天悯人的基因,她们运用独特的写作姿态去观照历史、烛照命运,对于人性弱点注入真切的人文关怀。其次,当代满族女作家在作品中用女性叙事承接民间叙事,并对民间叙事做出了进一步的开掘,从而显示了女性生存的历史与现实的衔接。再次,生活在满、汉双重文化系统中的女作家用本民族的文化映衬着中华民族多元一体文化,体现着她们的双重文化心理。最后,对于满族高雅庙堂与俚俗市井交融的审美传统的继承使当代满族女作家有着雅俗共赏的审美品位。本论文的第五部分总结反思了新时期满族女作家的小说创作。本章依次从文化全球化的角度反思当代满族女作家作为女性的创作;从身份认同的角度反思当代满族女作家作为少数民族的创作;从社会地位边缘化的角度反思当代满族女作家作为知识分子的创作,进而展示着当代满族女作家生生不息的生命力与创造力。
[Abstract]:As an ancient ethnic Manchu, unique culture and splendid ethnic history gives Manchu female writer creation richly endowed by nature advantage, although the wheel of history, but the Manchu female writer in essence of national brand did not fade with the social changes and the years passed. Manchu female writer has a female identity ethnic identity and identity of intellectuals, three of the three dimensions of identity, identity conflict and fusion: the female identity of family in Manchu female writer's female memory leave a unique mark, and showing a "human liberation of humanity rise three phase: the complete personality of ethnic identities"; make them feel blood flowing from the ancestors of the show; and make them remember the identity of intellectuals intellectuals' mission, writing is the forgotten history and folk history The male history behind themasked women history. Sometimes coupling in these three kinds of identity, and the final confrontation, constitute a unique narrative of Manchu writer rich and colorful and full of tension. This thesis is divided into four parts, respectively from the theme type, artistic expression, value function and Reflection on the four different dimensions of the contemporary Manchu female writer of novels to analyze, and contemplation and Reflection on the contemporary literary China minority. In the first part of the thesis introduces the Manchu writer novel creation of new period cultural origins. Firstly, Manchu has a history of unique cultural characteristics, special natural and geographical environment and economic production of Manchu people's unique way of shaping the national character, national character and in literary works can be fully demonstrated. Secondly, the deep cultural history of nation to become the contemporary literary creation of Manchu writer The unique background and culture as the source, they use their own words to show the ancient ethnic identity and pursuit. The second part of the thesis with the deductive method in order of time combing the Manchu female writer of novel creation of new period theme type. In the history of the nation's culture, contemporary Manchu female writer much preference and good the great historical narrative: as women outline women in the memory of family history; as they remembered the Manchu Manchu ethnic history; they are digging history as intellectuals obscured history. They walk on the edge of ethnic identity between female identity and the identity of intellectuals, which in the three person narrative tension show them for perception and grasp the history. The third part uses the detailed reading of the text analyzes the artistic expression of Manchu writer novel creation in the new time. First of all, in the narrative The pursuit, as a woman, as a minority, women affected by its own memory and national identity, contemporary Manchu female writer's novels become the female narrative and the national narrative coupling place, women experience memory and national integration and Goulian makes narrative showing a very penetrating multilayer narrative space and narrative tension. Secondly and in the character shaping, as an intellectual, Manchu, Manchu female writer has a consanguineous feeling at the same time of Manchu, rational thinking by modern intellectual women's shape, a reflection of Manchu history and diverse characters, with a broad humanistic feelings back an ancient nation's past, longing for a a good future of the nation. Once again, the growth in the language style, living in Han culture circle, the Manchu writer in the Manchu culture and nurtured Han culture has a dual culture Thinking, his literary language has a unique style. The fourth part use the method of combining the theory with Wen Benxiang from feelings, narration, culture and aesthetic dimensions four summarizes the value function of Manchu female writer novel creation in the new time. First of all, the blood in the Manchu female writer has a compassionate ancestral gene, they to view the history, the use of the unique writing attitude to illuminate the fate of human weakness into the real humanism. Secondly, contemporary Manchu writer with female narrative to undertake folk narrative in the works, and make further exploration of the folk narration, which shows the connection of history and reality of female survival. Again, in life full, female writers in the Han culture system with the culture of our nation against the pluralistic culture of the Chinese nation, embodies their dual cultural psychology. Finally, the Manchu Elegant and vulgar folk Temple inherited the aesthetic tradition of the blending of Manchu contemporary female writers have refined aesthetic taste. The fifth part of this paper summarized and reviewed the new period of Manchu female writers' novels. This chapter from the perspective of cultural globalization on contemporary female writers as Manchu women's creation from the perspective of identity; as a female writer of contemporary Manchu minority creation; from the social marginalization of the angle of reflection of contemporary Manchu writer as an intellectual creation, thus showing the vitality and creativity of contemporary Manchu writer life and growth in nature.

【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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