论张贤亮小说的囚禁叙事

发布时间：2018-01-08 00:10

本文关键词：论张贤亮小说的囚禁叙事　出处：《西南大学》2016年硕士论文　论文类型：学位论文

【摘要】：当代作家张贤亮自1979年重新执笔以来,便笔耕不辍、新作不断。张贤亮也是当代文学史上一位勇于挑战成规,富有探索精神的作家,他前期的小说如《绿化树》、《男人的一半是女人》等较早打破了当代文学的性描写禁忌,后期的小说《一亿六》又“剑走偏锋”,讲述了一个荒诞的优异“人种”保卫战的故事。张贤亮的小说创作不仅敢于突破言说的禁区,而且体现出了鲜明的囚禁叙事的特征。“囚禁”不仅是张贤亮本人长达二十二年的惨痛人生经历,也是其小说文本中主人公的遭遇,张贤亮小说的囚禁叙事通过规训与拯救以及囚禁中的创伤记忆的书写,反映了深刻的内涵与复杂的意蕴,与此同时,“囚禁”不仅作为一种意义生成的符号,它还作为一种叙事手段参与着文本的建构,本文试图对张贤亮小说囚禁叙事的特征展开系统分析。本文除绪论和结语外,主要分为三章,来对“张贤亮小说的囚禁叙事”这一论题展开探讨:绪论部分主要介绍张贤亮小说的创作概貌,梳理其研究现状,阐明选题理由与选题价值。第一章,从囚禁叙事的文学史背景和原因方面入手,追溯中西方文学中囚禁叙事的渊源历史,并考察张贤亮的囚禁经历与其小说创作的囚禁叙事的关系。第二章,从囚禁叙事的核心内容入手,分析张贤亮小说中的囚禁叙事对人的身体囚禁与精神囚禁的展现,并通过女性拯救者形象分析被囚禁者获得的精神支撑。第三章,从囚禁叙事的叙事学特征方面入手,论述张贤亮小说的囚禁叙事所体现出的不同于“人民伦理的大叙事”的“自由伦理的个体叙事”的特征,并分析张贤亮小说的囚禁书写在叙事学层面所具有的特征,包括囚禁与拯救如何作为内在的叙事动力推动故事情节的演进,囚禁叙事的言说方式与叙事方法、囚禁叙事中的才子佳人模式等问题。结语部分总括全文,并思考张贤亮小说囚禁叙事的成败得失。
[Abstract]:Zhang Xianliang, the contemporary writer, has been working hard since 1979, and has been constantly writing new works. Zhang Xianliang is also a writer in the history of contemporary literature who has the courage to challenge the rules and the spirit of exploration. His earlier novels such as "Greening Tree", "Men's half are women" and so on have broken the sexual description taboo of contemporary literature earlier, and later novels < 160 million > also "the sword deviates from the front". It tells the story of a fantastic "race" defending war. Zhang Xianliang's novels not only dare to break through the forbidden zone. "imprisonment" is not only Zhang Xianliang's painful life experience for 22 years, but also the story of the protagonist in his novels. The captivity narrative of Zhang Xianliang's novels reflects the profound connotation and complex meaning through discipline and salvation as well as the writing of traumatic memory in captivity. At the same time, "imprisonment" is not only a symbol of meaning generation. It is also a narrative means to participate in the construction of the text, this paper attempts to set up a systematic analysis of the characteristics of Zhang Xianliang's captivity narrative. In addition to the introduction and conclusion, this article is mainly divided into three chapters. To explore the topic of "the captivity narrative of Zhang Xianliang's novels": the introduction part mainly introduces the general situation of the novels of Zhang Xianliang, combs the current research situation, and clarifies the reasons and the value of the topic. Chapter one. Starting with the background and reasons of the literary history of captivity narration, this paper traces the origin history of captivity narrative in Chinese and western literature, and examines the relationship between Zhang Xianliang's imprisonment experience and the captivity narrative of his novel creation. Chapter two. Starting with the core content of captivity narrative, this paper analyzes the display of human body imprisonment and spiritual imprisonment in Zhang Xianliang's novels, and analyzes the spiritual support of prisoners through the image of female savior. Chapter three. Starting with the narratological characteristics of captivity narration, this paper discusses the characteristics of individual narration of freedom ethics, which is different from "the great narration of people's ethics" embodied in Zhang Xianliang's captivity narrative. It also analyzes the characteristics of the captivity writing of Zhang Xianliang's novels at the narratology level, including how captivity and salvation act as the internal narrative power to promote the evolution of the story plot, the narrative mode and the narrative method of the captivity narrative. The conclusion summarizes the full text and considers the success or failure of Zhang Xianliang's captivity narrative.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

【相似文献】