南北朝雅乐考证及其文学性研究

发布时间：2018-01-09 04:20

本文关键词：南北朝雅乐考证及其文学性研究　出处：《安徽师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：以乐歌的适用场合或创作来源的标准划分,乐主要包括民间俗歌与官方雅歌两部分。本文是以南北朝的官方雅乐作为研究对象。针对南北朝雅乐及其文学性的研究,本文主要分两部分展开:一是梳理南北朝雅乐的发展脉络,即包括南北朝二郊乐、宗庙乐以及元会宴飨乐在内的三种主要乐类;二是以南北朝二郊乐与宗庙乐歌辞为主,探究其各自文学性的异同。第一部分三章,主要梳理南北朝雅乐的确立过程,并在此基础上分析雅乐礼制在南北朝不同朝代的继承与创变。第一章对南北朝雅乐中的二郊乐进行了考论。主要内容包括四个方面:其一,梳理二郊乐在南北朝各代的确立过程;其二,考察二郊迎神乐在南北朝历代之间的不同;其三,考察二郊登歌在南北朝各代之间的差异;其四,着重对南北朝二郊乐中的郊、丘分祀或合祀进行了考察。第二章对南北朝雅乐中的宗庙乐进行了考论。主要内容包括三个方面:其一,梳理宗庙乐在南北朝各代的确立过程;其二,考察宗庙祭祀的乐舞在南北朝各代之间的不同;其三,着重对南北朝宗庙乐中的y槨k分祀或合祀进行了考察。第三章对南北朝雅乐中的元会宴飨乐进行了考论。由于南北朝元会宴飨乐主要是鼓吹乐、隋代七、九部乐与歌舞戏组成,因而本章的考论内容也相应地分为三个部分:一是探究南北朝鼓吹乐的流变及其发展动因;二是分析隋代七、九部乐的确立及其成因;三是对歌舞戏在南北朝的组成及其影响进行考论。以上三章,笔者不仅从国家礼制确立的角度考察了南北朝雅乐,还从其制定目的的角度进行了深入探究。本文的最后两章,笔者则试图从文学的角度来挖掘南北朝雅乐歌辞的文学质性。第四章对南北朝二郊歌辞文学风格的异同及其动因进行了论述。本章在总结了南北朝二郊乐辞文学风格的一致性的同时,也分析了其差异,并探讨导致南北朝二郊歌辞文学风格产生异同的动因。第五章对南北朝宗庙歌辞文学风格的异同及其成因进行了论述。首先,归纳了南北朝宗庙乐辞延续典重风格的缘由;其次,分析了南北朝宗庙乐辞文学风格的差异,并在横向上比较北周与其余南北朝的宗庙乐歌,以突出北周宗庙歌辞独特的文学风格;最后,探讨导致北周宗庙歌辞文学风格独特的成因。通过对第四章与第五章的比较分析可知,南北朝雅乐文学性所呈现出的复古与融合、继承与创变的不同,皆来自于南北朝政权取得方式的不同,即承袭与取代的不同。
[Abstract]:According to the applicable situation of music or creation of the source of the standard division. Music mainly consists of folk folk songs and official songs. This paper takes the official music of the Southern and Northern dynasties as the research object, aiming at the study of the Southern and Northern dynasties' elegant music and its literariness. This paper is divided into two parts: one is to sort out the development of the Southern and Northern dynasties elegant music, that is, including the two suburbs of the Southern and Northern dynasties, Zongmiao music and the banquet of the Yuan Dynasty, including the three main types of music; Second, the two suburbs of the Southern and Northern dynasties and Zongmiao music, mainly to explore the similarities and differences in their literary nature. The first part of the three chapters, mainly combing the establishment process of the Southern and Northern dynasties elegant music. On this basis, it analyzes the inheritance and innovation of the elegant etiquette system in different dynasties of the Southern and Northern dynasties. The first chapter makes a textual research on the two suburbs music in the Southern and Northern dynasties. The main contents include four aspects: first. Combing the establishment process of the two suburbs music in each generation of the Southern and Northern dynasties; Secondly, to investigate the differences between the Southern and Northern dynasties. Third, investigate the differences between the Southern and Northern dynasties. Fourth, it focuses on the suburbs of the two suburbs of the Southern and Northern dynasties, Qiu Dianshi or sacrifice. The second chapter of the Southern and Northern dynasties in the study of the temple music in the elegant music. The main content includes three aspects: first. Combing the establishment process of the Zongmiao music in each generation of the Southern and Northern dynasties; Second, the music and dance of the sacrifice of the temple in the Southern and Northern dynasties are different. Third, focus on the Southern and Northern dynasties in the music of the temple y? The third chapter makes a textual research on the Yuan Dynasty banquet music in the Southern and Northern dynasties. Because the Southern and Northern dynasties Yuan Dynasty banquet music is mainly advocating music, Sui Dynasty seven, nine music and song and dance drama composition. Therefore, the content of this chapter is also divided into three parts: first, to explore the evolution of the Southern and Northern dynasties advocating music and its development motivation; The second is to analyze the establishment and causes of seven and nine music in the Sui Dynasty. Thirdly, the composition and influence of song and dance play in the Southern and Northern dynasties were studied. In the above three chapters, the author not only inspected the elegant music of the Southern and Northern dynasties from the point of view of the establishment of the national etiquette system. The last two chapters of this paper are also discussed from the point of view of its purpose. The author tries to explore the literary quality of the songs from the perspective of literature. Chapter 4th discusses the similarities and differences of the literary styles of the two suburbs of the Southern and Northern dynasties and their causes. This chapter summarizes the literature of the two suburbs of the Southern and Northern dynasties. The consistency of style at the same time. It also analyzes its differences and probes into the causes of the similarities and differences in the literary styles of the two suburbs of the Southern and Northern dynasties. Chapter 5th discusses the similarities and differences of the literary styles of the songs of the Zongmiao in the Southern and Northern dynasties and their causes. First of all. Summed up the Southern and Northern dynasties Zongmiao music continued the cause of the classic style; Secondly, it analyzes the differences of the literary style of the Zongmiao songs in the Northern and Southern dynasties, and compares the Zongmiao songs between the Northern Zhou Dynasty and the other Southern and Northern dynasties horizontally, in order to highlight the unique literary style of the Song songs of the Zongmiao songs in the Northern Zhou Dynasty. Finally, this paper discusses the causes of the unique literary style of Song ci of Zongmiao in the Northern Zhou Dynasty. Through the comparative analysis of Chapter 4th and Chapter 5th, it can be seen that the literary quality of the Southern and Northern dynasties elegant music presented the retro and the fusion, the difference between inheritance and creation. They all come from the different ways of obtaining political power in the Southern and Northern dynasties, that is, the different inheritance and substitution.
【学位授予单位】：安徽师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22

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