浅析明代唐宋派时文创作特点

发布时间：2018-01-11 22:05

本文关键词：浅析明代唐宋派时文创作特点　出处：《古籍整理研究学刊》2017年05期 　论文类型：期刊论文

【摘要】：唐宋派是明代文学复古运动中为文之法主张师法唐宋,提倡向韩、柳、欧、苏、曾、王等八大家为文章法学习的文学流派。唐宋派"以古文为时文"的时文创作方法在明清两代极具号召力。然而唐宋派的时文创作虽倡导复古,但并非刻板拟古,倡导研习时文从唐宋文章入手,实则上溯《史》、《汉》、六经。在明廷抡才独重科举,科举独重时文的社会背景下,唐宋派的代表作家王慎中、唐顺之、归有光、茅坤开辟了时文创作实践的全新领域,对明清两代的时文发展产生了深远的影响。
[Abstract]:Tang and Song School is the literature retro movement in the Ming Dynasty advocated the law of the Tang and Song dynasties, advocated to Korea, Liu, Europe, Su, Zeng. Eight schools of literature, such as Wang et al. The writing methods of the Tang and Song dynasties "taking the ancient prose as the current style" had great appeal in the Ming and Qing dynasties. However, although the Tang and Song schools advocated the restoration of the ancient times, they were not stereotyped. In the social background of the Ming Dynasty and the imperial examination, Wang Shenzhong, Tang Shunzheng, Tang Shunzhong, the representative writers of the Tang and Song dynasties, started with the articles of the Tang and Song dynasties and went back to the History, Han, and six Classics. Under the social background of the imperial examination, the imperial examination and the imperial examination, the representative writers of the Tang and Song dynasties were Wang Shenzhong and Tang Shunzhi. Gui Youguang, Mao Kun opened up a new field of writing practice, and had a profound influence on the development of Ming and Qing dynasties.
【作者单位】：东北师范大学历史文化学院;
【分类号】：I206.2
【正文快照】： 时文,亦称经义、制艺、制义、四书文、八股文等,是明代科举取士制度中官方指定最重要的考试文体。明代中期以后,在“一以时文定去取”的选官模式之下,凡应举士子必读时文,时文也逐渐成为拥有最大阅读群体的文体。明代时文发展大致经历四个时期,其中尤以正德、嘉靖时期的时文最

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