两岸张爱玲传播与接受比较研究（1949—）

发布时间：2018-01-14 10:41

本文关键词：两岸张爱玲传播与接受比较研究（1949—）　出处：《闽南师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：张爱玲及其影响是现代中国的重要文化现象之一,两岸的张爱玲接受过程是这一现象的重要组成部分。张爱玲一直是中国现代文学史绕不开的话题,学界对于她的讨论并未随着她的香消玉殒而减弱,反而热议不断。将张爱玲置于特殊历史背景中,通过考察不同时期、不同地域、不同立场下的张爱玲传播与接受上的差异,以此对比两岸的张爱玲接受状况所面临的不同境遇。整体性地观察张爱玲在大陆与台湾的特殊语境中的传播与接受,不仅对两岸的张爱玲研究成果进行梳理,而且以此透视两岸特定历史背景下文学思潮的生成和演变。研究以时间为主线,将两岸张爱玲传播与接受过程分为三个阶段进行对比。第一个阶段,1950年代初,张爱玲因外部环境的改变离开上海奔赴香港,在迫于生活压力的情况创作《秧歌》《赤地之恋》。被冠上“反共作家”名号的张爱玲得以凭借《秧歌》进入台湾文坛,她的其它作品在1960年代也相继于台湾出版,并掀起一阵“张爱玲热”。而海峡对岸的大陆学界却因为特殊原因对张爱玲不再提起,这导致张爱玲在大陆文坛沉寂了近三十年。第二个阶段,1970年代,在台湾现实主义文学崛起的背景下,张爱玲逃避社会责任的作品遭到不同立场的学者的质疑。其中,林柏燕与水晶、夏志清等对张爱玲历史定位的问题进行讨论,唐文标与朱西宁、林以亮等围绕张爱玲及其作品的评价标准展开争论。1980年代,大陆学界逐渐走出意识形态的迷雾,开始重新发掘、审视张爱玲及其作品。与此同时,张爱玲及其作品通过多种渠道被大陆读者熟知,并被写入文学史、专题史中。第三个阶段,1990年代后,两岸张爱玲研究呈现微观化、趋同化的态势。但趋同中又因文化环境的不同呈现出细微的差异,这主要体现在两岸文学史对张爱玲的定位与书写方面。通过对比张爱玲在两岸传播与接受过程中的不同境遇,反观文化环境对作家及文学作品的影响,这种影响最终使张爱玲及其作品在两岸有着不同的定位与读者期待。
[Abstract]:Eileen Chang and his influence is one of the important cultural phenomenon in modern Chinese, on both sides of the Eileen Chang process is an important part of this phenomenon. Eileen Chang has been China modern literary history is not open around the topic, the academic discussion with her for her not weakened and death of a beauty, but constantly hot. Eileen Chang will be placed in a special historical background through the investigation, different period, different regions, different positions of the Eileen Chang spread and accept the different circumstances in contrast on both sides of the reception of Eileen Chang faced. Overall to observe the dissemination and reception of Eileen Chang in the special context of the mainland and Taiwan in the not only reviews the research results on both sides of the Eileen Chang, and so perspective on the formation and evolution of literary trends on both sides of the special historical background. With time as the main line, Eileen Chang will be on both sides of the dissemination and acceptance process Three stages were compared. The first stage, the beginning of the 1950s, Eileen Chang due to changes in the external environment from Shanghai to Hongkong, in under the pressure of life creation "Akachi love." "yangko dance called" anti Communist writer "name of Eileen Chang to enter the literary world of Taiwan yangko dance with < >, her other works in 1960s have been published in Taiwan, and set off a" Eileen Chang ". While across the channel in academic circles in the mainland but because of special reasons for Eileen Chang no longer mention, which led to Eileen Chang in the mainland of China was nearly thirty years. The second stage, 1970s, in Taiwan of realistic literature in the background of the rise of questioning Eileen Chang evade social responsibility work by varying the position of the scholars. Among them, Lin Po yen with crystal, such as Xia Zhiqing Eileen Chang's position in history to discuss the issue, Tang Wenbiao and Zhu Xi Ning, Lin Wai to light About Eileen Chang and his works evaluation standard debate.1980 in academic circles in the mainland ideology gradually out of the fog, to rediscover, look at Eileen Chang and his works. At the same time, Eileen Chang and his works were well known to readers in the mainland through various channels, and is written into the history of literature, the history of the topic. In the third stage, after 1990s, on both sides of Eileen Chang research showing microscopic, assimilation and convergence trend. But because of different cultural environment has a slight difference, which is mainly reflected in the literary history of both sides to locate Eileen Chang and writing. Through the contrast with Eileen Chang in the reception process spread on both sides in different circumstances, the cultural environment influence on writers and literary works. This effect, finally to Eileen Chang and his works are on both sides of different location and expectation.

【学位授予单位】：闽南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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