藏族当代文学现象研究

发布时间：2018-01-24 06:57

本文关键词： 藏族当代文学现象　出处：《青海民族大学》2016年硕士论文　论文类型：学位论文

【摘要】：新中国成立及西藏和平解放以来,藏族当代文学创作得到了空前的繁荣,首先是西日嘉措大师对党的路线政策用文学艺术形式宣传开始,藏族新时期启蒙文学思想产生在藏族文坛,由此一来,很多知名学者纷纷写出了以启蒙文学为思想的藏族当代文学,随之,一批年轻的也不甘寂寞,自动上了文学创作的道路。尤其“四人帮”的粉碎及党的民族政策的落实,二十世纪八十年代初,在藏区出现了《西藏文艺》、《章恰尔》、《刚尖梅朵》和《达赛尔》等藏语纯文学刊物。改革开放的深入使藏族作家有了新的价值取向,从传统的出世价值观转向现实世界,贴近现实,掀起了新的文学浪潮,出现新的文学现象。其中小说和诗歌扮演着重要角色。从此藏族现代文学从艺术形式上向世界文学看齐。从最初的现实主义文学现象到现在的现代主义文学,不管从思想内容到艺术形式,新中国成立至今的六十多年所形成的当代文学值得研究。不同于当今世界严肃文学的处境,藏族当代文学蒸蒸日上,从事文学创作的作家越来越多,并对创作采取严肃认真态度,文学读者依然层出不穷,居高不下,可以看出现代文学在社会上发展前途无量。藏族当代文学,可以说真正体现了百花齐放的景观。党的三中全会以后,政治的阴霾已逐渐散去,随着改革开放和各种文艺思潮的涌入,这些敏感的年轻人,也开始大量吸收各种手法,借鉴一些新的的艺术表现技巧。文学作品显得绚烂、耀眼、多样化,令人目不暇接。其中不乏引起国内外文坛的关注一些作品。但是从西藏和平解放藏族当代文学的兴起到现在没有历史性的的评价,尤其文学现象方面的研究到目前为止是个空白,为此,笔者大胆尝试选题藏族当代文学现象研究。并且较细致的研究,旨藏族当代文学研究引入新的领域。本文共分三章,文中主要引用了阐释法、分析法、比较法及归纳法等研究方法。第一章主要叙述了当代文学现象研究的定义、特征、形成历史、发展进程及主要代表人物和代表作品。第二章主要叙述了藏族启蒙文学现象为主伤痕文学、赞颂文学、寻根文学的特征、形成历史、发展进程及主要代表人物和代表作品。第三章主要叙述了藏族当代主义文学现象的特征、形成历史、发展进程及主要代表人物和代表作品。因为,以往此研究领域的研究成果极度贫乏,对本论文撰写带来一定的难度,反之,本论文的完成也可以说具有原创意义。每个原创都难以避免有一定的瑕疵,加上工作繁重,时间紧迫,论文一定存在不尽人意的地方,希望批评指正。
[Abstract]:Since the founding of New China and the peaceful liberation of Tibet, Tibetan contemporary literary creation has gained unprecedented prosperity, first of all, Master Xiijiazuo began to propagate the Party's line and policy in the form of literature and art. The enlightenment literature thought of the Tibetan people in the new period came into being in the Tibetan literary world. As a result, many famous scholars wrote the Tibetan contemporary literature with the enlightenment literature as their thought. With this, a group of young people did not want to be lonely. On the road of literary creation, especially the smashing of the Gang of four and the implementation of the Party's national policy, in 1980s, "Tibetan Literature and Art" and "Zhang Chal" appeared in the Tibetan area. The deepening of reform and opening to the outside world has given Tibetan writers a new value orientation, from the traditional values of birth to the real world and close to the reality. Set off a new wave of literature. A new literary phenomenon appeared, in which novels and poems played an important role. From then on, Tibetan modern literature was in line with the world literature from the artistic form, from the original realism literature phenomenon to the modernist literature. Whether from the ideological content to the form of art, the contemporary literature formed in the past 60 years since the founding of New China is worth studying. Different from the situation of serious literature in the world today, Tibetan contemporary literature is flourishing day by day. There are more and more writers engaged in literary creation and take a serious attitude toward creation. Readers of literature still emerge in endlessly, high, can see the future of modern literature in the society. Tibetan contemporary literature. After the third Plenary session of the CPC Central Committee, the haze of politics has gradually dissipated. With the reform and opening up and the influx of various literary and artistic trends, these sensitive young people. Also began to absorb a large number of techniques, learn from some new artistic expression techniques. Literature is gorgeous, dazzling, diverse. Many of them have attracted the attention of the literary circles at home and abroad. But from the rise of Tibetan contemporary literature to the peaceful liberation of Tibet, there is no historical evaluation. In particular, the study of literary phenomena is a blank so far, for this reason, the author boldly tries to choose the topic of Tibetan contemporary literature phenomenon research. And more detailed research. This paper is divided into three chapters, in which the method of interpretation and analysis are mainly cited. The first chapter mainly describes the definition, characteristics and formation history of contemporary literary phenomenon research. The second chapter mainly narrates the Tibetan enlightenment literature phenomenon as the scar literature, the praise literature, the root seeking literature characteristic, forms the history. The third chapter mainly describes the characteristics of the Tibetan contemporary literary phenomenon, the formation of history, the development process and the main representative and representative works. In the past, the research results in this field are extremely poor, which brings some difficulties to the writing of this paper. On the contrary, the completion of this paper can also be said to have original significance. Plus heavy work, time is urgent, there must be unsatisfactory papers, I hope criticism and correction.
【学位授予单位】：青海民族大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.9

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