汉赋创作与国家形象

发布时间：2018-02-04 05:47

本文关键词： 汉赋语言图像礼德思想国家形象　出处：《中国文学研究》2017年03期 　论文类型：期刊论文

【摘要】：辞赋创作从"蕞尔小邦"到"蔚然大国",与汉代国家制度的确立切切相关,从历史的视域来看,赋家也经历了由"南"入"北"、由"邦国"到"中央"的迁变过程,这又决定于当朝的官制、礼制,尤其是京都制度的建构。而汉赋创作所展示的国家形象,又是通过语言图像的呈现,比较典型地彰显在有关"祭祀""畋猎"类的"天子礼仪"方面,从而形成兼取霸业与王道的礼德思想,以及雅赡与犷野兼容的创作风格。
[Abstract]:The creation of ci Fu from "tiny State" to "Weiran Power" is closely related to the establishment of the national system in the Han Dynasty. From the perspective of history, the Fu family has also experienced from "south" to "north". The process of transition from "state country" to "central government" is determined by the official system, etiquette system, especially the construction of Kyoto system, and the national image displayed by the creation of Han Fu is presented through the language image. It is typical to show in the aspect of "son etiquette" of "sacrificial sacrifice" and "hunting", thus forming the idea of ritual virtue of taking hegemony and king's way, as well as the creative style of elegance and wild compatibility.
【作者单位】：安徽师范大学文学院;
【基金】：国家社科基金重点项目(16AZW008)阶段成果
【分类号】：I207.22
【正文快照】： 赋作为一种文体,与诗不同,具有宏大书写与图物穷相的特征,这一文体自战国汉初之“蕞尔小邦”到西汉盛世而“蔚然大国”,实与国家制度的构建有密切关联,而赋家有关礼仪书写的语言图像呈现、赋创作反映帝国“霸业”与“王道”并形成雅赡与犷野两种风格的交织,以及其间隐蕴的德教

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