毕飞宇对小说艺术的探索

发布时间：2018-02-05 03:37

本文关键词： 毕飞宇小说艺术小说观念语言结构　出处：《河北大学》2015年硕士论文　论文类型：学位论文

【摘要】：毕飞宇是当代引人瞩目的小说家。他在小说创作领域所取得的成就,与他多年来对小说艺术的不懈探索密不可分。在小说艺术形式的探索道路上,毕飞宇取得了不同凡响的成绩。他的探索和成就,主要体现于其小说观念、小说语言和小说结构几个方面。童年、少年以及大学时期的阅读经验和写作经验,对古典诗歌的热爱、对西方文哲理论的学习,促使毕飞宇形成了独特的小说观念和艺术理念。早期他是一个富于“想象”与“思辨”的“智者”,在小说创作中,既保持天马行空的想象,又追求抽象的思维能力,形成了一种“形而上”的理性意识;1990年代中期,伴随先锋实验的退潮,毕飞宇开始反思自己的小说创作,着手尝试“零度写作”,这是一种“介入现实”的小说观,作家尽可能地在作品中回避自己的情感,采用“介入式”的写作方式,使得小说呈现出来的客观性跟现实的客观性产生一个对等关系;忌讳重复和不断探索的精神始终是毕飞宇小说创作的不竭动力,不拘泥于“标签化”的写作姿态,成为毕飞宇几次转型的自觉本能。正是这些小说观念的指导才促成毕飞宇在小说实践中不断地突破和创新,在追求小说艺术的道路上,逐渐凸显自己的魅力。在语言方面,毕飞宇在早期的先锋试验中通过对哲理化语言和修辞艺术的运用,找到了自己的语言的“狂欢”姿态。认识到先锋文学的弊端后,毕飞宇开始试图“睁开眼睛”,寻找自己的“语感”。他从先锋语言向日常化语言过渡,有意采用诗化语言风格并关注现实的反讽性叙事语言。在近期的创作中,毕飞宇真正做到了让语言“回家”,运用的是一种富有日常生活气息的轻松、平淡、质朴的口语化小说语言。在结构方面,毕飞宇的小说大致经历了从碎片无章的结构模式到线性有序的复线式结构,再到以人物为中心的结构方式几个阶段,完成了从短篇小说、中篇小说到长篇小说的文体探索,既借鉴西方的结构模式,又继承中国传统的结构方式,在中西合璧中形成了自己独特的艺术风格。
[Abstract]:Bi Feiyu is a contemporary novelist. His achievements in the field of novel creation are closely related to his unremitting exploration of the art of fiction for many years. Bi Feiyu has made remarkable achievements. His exploration and achievements are mainly reflected in his novel concept, novel language and novel structure, as well as his reading experience and writing experience during his childhood, adolescence and college years. His love of classical poetry and his study of western literary and philosophical theories prompted Bi Feiyu to form a unique concept of fiction and art. In the early days, he was a "wise man" rich in "imagination" and "speculation". In the creation of novels, it not only keeps the imagination in the sky, but also pursues the abstract thinking ability, which forms a kind of "metaphysical" rational consciousness. In the mid-1990s, with the decline of pioneer experiments, Bi Feiyu began to reflect on his novel creation and began to try "Zero Writing", which is a novel view of "intervening reality". Writers try to avoid their emotions in their works and adopt the "interventionist" writing method, which makes the objectivity of the novel and the objectivity of reality produce a reciprocal relationship. The spirit of taboo repetition and constant exploration has always been the inexhaustible motive force of Bi Feiyu's novel creation, and he does not stick to the writing posture of "tagging". It is the guidance of these novel concepts that makes Bi Feiyu constantly break through and innovate in the practice of novels and pursue the road of novel art. In the aspect of language, Bi Feiyu used philosophical language and rhetoric art in the early pioneer experiment. After recognizing the drawbacks of avant-garde literature, Bi Feiyu began to try to "open his eyes" to find his own "sense of language". Intended to adopt poetic language style and focus on the reality of the irony of narrative language. In the recent creation, Bi Feiyu really achieved the language "home", the use of a rich atmosphere of daily life relaxed, insipid. In terms of structure, Bi Feiyu's novels have experienced several stages, from the fragmented structure model to the linear and ordered double-line structure, and then to the personal-centered structure. The stylistic exploration from short story, medium story to long story not only draws lessons from the western structural model, but also inherits the traditional Chinese structure, and forms its own unique artistic style in the combination of Chinese and western.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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