《雷雨》中的伦理文化研究

发布时间：2018-02-05 21:11

本文关键词： 雷雨伦理文化家庭伦理女性伦理儒道释伦理基督教伦理　出处：《中国石油大学(华东)》2015年硕士论文　论文类型：学位论文

【摘要】：《雷雨》是曹禺的第一部剧作,凝聚数年心血而成,自问世以来受到了诸多作家的好评。它讲述了一个两代人、两个家庭之间错综复杂的情感关系,虽然只有短短四幕剧8个主要人物,却涵盖了复杂的伦理关系,体现出丰富的伦理文化。曹禺自身也很喜欢这部话剧,还亲自参加过《雷雨》的演出,但是当局政府却禁止《雷雨》公演。这种奇特现象的原因在于《雷雨》蕴含了一些进步的思想,很受进步人士的喜爱,而政府为了自己的统治权才作此决定。本论文从伦理学的角度对《雷雨》这一文学作品进行深入剖析,重新认识《雷雨》的伦理学意义,加深对19世纪30年代社会伦理文化的了解,及其问世后对当时的社会发展的意义。论文从创作时期的社会伦理文化变迁和曹禺的生活环境及其伦理文化认知两个方面,论述了《雷雨》诞生的伦理文化背景;紧接着对《雷雨》诞生的家庭伦理文化背景进行具体解析,从夫妻之间、父子之间和兄弟之间三个方面,分析了《雷雨》文本中的家庭伦理关系与文化,并探究其深远影响;第三部分从西方悲剧哲学对曹禺的影响,渴望“精神解放”的知识女性的悲剧命运、沦为“家奴”“性奴”的下层劳动女性的悲剧命运、形成她们悲剧的原因,以及这种悲剧形象对女性主义伦理的启示进行了探讨;从内在精神讲,中国传统伦理文化依然对曹禺创作有着潜移默化的影响,而传统伦理文化与现代伦理文化的碰撞与激荡也是显而易见的。儒家善恶分明的伦理文化、道家返璞归真的伦理文化和佛家因果业报的伦理文化都在文中有所体现。同样,西方外来文化如基督教伦理文化对曹禺创作也有着鲜明的影响。“罪”意识、“悔”意识、“爱”意识在《雷雨》中的体现,展现出了吐故纳新的现实意义。
[Abstract]:"thunderstorm" is Cao Yu's first play, condensed years of painstaking effort, since its publication by many writers, it tells of two generations of people, two families between the complex emotional relationship. Although there are only 8 main characters in the four-act drama, it covers the complex ethical relationship and embodies the rich ethical culture. Cao Yu himself also likes the play and has personally participated in the performance of thunderstorm. But the government has banned thunderstorm. The reason for this strange phenomenon is that thunderstorm contains some progressive ideas and is popular with progressive people. The government has made this decision for its own ruling power. This paper makes a thorough analysis of Thunder Storm from the perspective of ethics to re-understand the ethical significance of thunderstorm. To deepen the understanding of social ethics and culture in 1830s. The thesis includes two aspects: the changes of social ethics and culture in the period of creation and Cao Yu's living environment and his cognition of ethical culture. This paper discusses the ethical cultural background of the birth of thunderstorm. Then it analyzes the family ethical culture background of thunderstorm, and analyzes the family ethical relationship and culture in the text of thunderstorm from three aspects: husband and wife, father and son, and brother. And to explore its far-reaching impact; The third part from the western tragic philosophy to Cao Yu's influence, yearning for "spiritual liberation" of intellectual women's tragic fate, reduced to "domestic slaves" and "sex slaves" of the lower working women's tragic fate, forming the cause of their tragedy. And the revelation of this tragic image to feminist ethics; From the internal spirit, Chinese traditional ethical culture still has a subtle influence on Cao Yu's creation. The collision and agitation between traditional ethical culture and modern ethical culture is also obvious. The ethical culture of Taoism returning to nature and the ethical culture of Buddhist cause and effect newspaper are reflected in the text. Similarly, the western foreign culture, such as Christian ethical culture, also has a distinct influence on Cao Yu's creation. The consciousness of "repentance" and "love" are embodied in thunderstorm, showing the practical significance of expelling the new ideas.
【学位授予单位】：中国石油大学(华东)
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.34;B82-05

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