民间经典的解构、重构与再建构——试论《青蛇》从传说到小说再到电影、戏剧的文化内涵流变

发布时间：2018-02-09 20:28

本文关键词： 《青蛇》改编 “情”与“理” 文化内涵　出处：《当代电影》2017年07期 　论文类型：期刊论文

【摘要】：作为中华民族四大民间传说之一,"白蛇传"的传说历经多个版本、多种体裁的传承流变,在民间仍然散发着强大的生命力,成为各种艺术形式不断进行演绎与阐释的对象。20世纪80年代,香港女作家李碧华以"白蛇传"为蓝本,却改变了以往以白蛇为中心的讲述方法,将原本处于叙事边缘的青蛇作为叙事中心,具有强烈的解构与重构意味。90年代,香港著名导演徐克将李碧华《青蛇》进一步改编,拍成同名电影,这种改编隐喻了香港社会对于自身身份定位的追问。2013年,内地女性导演田沁鑫又将《青蛇》改编成戏剧作品,在新的时代语境下对"白蛇传"这一民间经典进行了再叙述与再建构,探讨了普遍意义上的人类精神出路问题。从民间传说到李碧华小说再到徐克电影、田沁鑫戏剧,"青蛇"故事中对"情"与"理"主题的探讨不变,但人物形象及发展逻辑等逐渐发生改变,其背后隐含的社会文化内涵也不断发生着转变。
[Abstract]:As one of the four major folklore of the Chinese nation, the Legend of the White Snake has passed through many versions and varied genres, and still has a strong vitality in the folk. In 80s, Hong Kong woman writer Li Bihua took the White Snake Biography as the model, but changed the former narration method centered on the White Snake. Taking Green Snake, which was originally on the edge of narration, as the narrative center, has a strong sense of deconstruction and reconstruction. In the 1990s, Hong Kong famous director Xu Ke further adapted Li Bihua's "Green Snake" and made it into a film of the same name. This adaptation is a metaphor for the Hong Kong society's questioning of its identity. In 2013, mainland female director Tian Qinxin adapted Green Snake into a dramatic work. In the context of the new era, the folk classic "White Snake Biography" is renarrated and reconstructed, and the outlet of the human spirit in the general sense is discussed, ranging from folklore to Li Bihua's novel and then to Hark's film. In Tian Qinxin's drama, the discussion of the themes of "emotion" and "reason" in the story of "Green Snake" does not change, but the image of characters and the logic of development gradually change, and the social and cultural connotations behind them are constantly changing.
【作者单位】：厦门大学;
【分类号】：I206;J05

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