从电影剧本《盲》谈现实主义电影母题

发布时间：2018-03-03 03:29

本文选题：盲　切入点：拆迁　出处：《上海师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：现实主义电影产生于20世纪初的欧洲,从最早卓别林的默片到英国的纪录电影运动、法国的诗意现实主义、苏联的社会主义现实主义电影,到对后世影响最大的现实主义的高潮——意大利新现实主义以及60年代法国新浪潮,现实主义一直在注重展现社会现实问题,表现人与人、自然、社会以及同自我内心的矛盾。电影剧本《盲》从一个刚成年的辍学女孩视角讲述了她在面对物质与精神支柱的倒塌后如何捡拾起生活与梦想的碎片,并且找寻到自我,努力生存下去的成长故事。本剧也并非商业化的高概念剧本,而是偏小众和艺术的现实主义题材,注重展现社会现实中的底层市井和人们稀松平常的生活状态,同时也夹带有作者本人的私人回忆。在剧本的故事创作中我参考了亚洲的现实主义艺术电影以及欧洲一些超现实主义电影和诗电影,采用线性叙事手法,故事节奏偏慢,整体基调比较晦暗、平淡,注重以人物情绪推动叙事,而在细节处理上设置了一些亮点,比如选取合适道具和小情节使画面和故事表现蒙上超现实的感觉,使用闪回手法打乱叙事时空,补充故事与人物前史背景,使用隐喻给故事带来诗意化的表现等。本文从电影编剧工作的角度,围绕剧本的创作,从题目含义、创作背景、故事阐述、人物分析等方面进行梳理,展示了剧本从故事情节到内涵立意的全貌,并在此基础上结合相关电影理论从时代背景、情绪推动叙事、冷基调营造以及人物精神世界的哲学表达上进行故事母题的深入分析,最后对创作过程中存在的问题及今后努力的方向提出分析思考。
[Abstract]:The realistic movie produced in early twentieth Century in Europe, from the earliest silent film Chaplin to record the movement of British and French poetic realism, socialist realism of the film to the climax of the Soviet Union, the biggest realistic impact on future generations -- Italy new realism and the 60s French new wave of realism has been on show society the real problem, show people, nature, and social contradictions with the inner self. < script > blind from an adult just out of school girls perspective about her in the collapse of the material and the spiritual pillar of the face of how to pick up the pieces of life and dream, and to find themselves, to survive the growth story this is not high. The concept of the script of commercialization, but partial niche and artistic realism, to show the social reality of the ordinary people and not flat Often life, also clip with author private memories I. In the script of the story of creation in my reference to Asian realism art film and some European surrealist film and film poetry, the linear narrative, the story rhythm Pianman, whole tone relatively dull, dull, pay attention to promote the narrative characters emotions some of the highlights, and set the details of the deal, such as selecting the appropriate props and small plot of the picture and story by Shangchao reality, using flashback technique upset the story and the characters of narrative time, history background, the use of metaphor brings the poetic expression to the story. This work from the screenwriter's point of view, around the script creation, from the topic meaning, creation background, story, character analysis and so on to sort out, show the script from the story to the connotation of conception of the picture, and on this basis Based on the related movie theory, this paper analyzes the story motif from the background of the times, the emotion promoting narrative, the cold basis construction and the Philosophical Expression of the spiritual world of the characters. Finally, it puts forward the analysis and thinking of the problems in the process of creation and the direction of future efforts.

【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.351

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