论90年代“女性书写”对西方女性主义文学理论的“误读”

发布时间：2018-03-13 03:04

本文选题：女性书写　切入点：误读　出处：《青岛大学》2017年硕士论文　论文类型：学位论文

【摘要】：90年代的“女性书写”是中国女性主义文学发展的一个新阶段,影响广泛。本文以新时期这一重要的文学现象作为研究对象,在西方女性主义文学理论(尤其是“身体写作”理论)的视域下,运用比较研究的方法,重点考察90年代女性写作对于西方女性主义文学理论的接受,以及在这一接受过程中所产生的“误读”或“误区”,并探讨其原因。对于西方女性主义文学理论在中国的传播影响与运用,学术界已有论述。但是对于一个外来理论的运用,我们难免会存在某些理解上的欠缺,其中有些重要问题并未引起足够的重视与纠正。本文分四章展开论述,前三章,主要着眼于90年代女性写作实践中存在的理论“误读”与误用现象,以女性主义理论为基础,同时结合叙事学、比较文学、消费主义文化传播学等理论研究方法,选取有代表性的作家及作品,探讨中国女性写作实践在写作内涵开掘与立意方面、写作视角方面、消费主义文化导向下的女性创作方面等存在的理论“误读”之处。第四章则是在前三章的基础上,力图较系统地分析造成以上种种“误读”的原因,主要从“中国文化传统的影响与社会发展阶段的局限”、“女作家自身生活经验的局狭”、“理论接收的片面性——阅读理论的缺失”三个方面入手,力图找出当代女性写作的新出路。女性写作在促进女性自我觉醒方面的作用是显而易见的,但是,中国当代女性写作中存在的这诸多误区,却需要全面系统地加以研究和辨析。因为显而易见,在90年代“女性书写”以后,当代女性主义写作极其发展并不尽如人意,以至于有激进批评者认为女性写作已陷入自我复制的“死胡同”。本文尝试从理论根源上找到解决问题的思路与方法,这对当代女性文学创作以及中国的女性主义发展都具有意义与价值。
[Abstract]:In 90s, "female Writing" is a new stage in the development of Chinese feminist literature, which has a wide influence. This paper focuses on this important literary phenomenon in the new period. From the perspective of western feminist literary theory (especially "body writing" theory), this paper, by means of comparative study, focuses on the acceptance of western feminist literary theory by female writing in 90s. And the "misreading" or "misunderstanding" produced in the course of this acceptance, and its reasons. The influence and application of the western feminist literary theory in China have been discussed in academic circles, but the application of a foreign theory has been discussed. It is inevitable that there will be some deficiencies in understanding, some of which have not attracted enough attention and correction. This paper is divided into four chapters, the first three chapters, In 90s, the author focuses on the theory of misreading and misusing in the practice of female writing in 90s, which is based on the feminist theory, and combines the theoretical research methods of narratology, comparative literature and consumerism cultural communication. By selecting representative writers and works, this paper probes into Chinese women's writing practice in the aspects of writing connotation and intention, writing angle of view, and so on. On the basis of the first three chapters, Chapter 4th tries to systematically analyze the causes of the above "misreading". It mainly starts from three aspects: the influence of Chinese cultural tradition and the limitation of the stage of social development, the narrow life experience of female writers, the one-sidedness of theory reception and the lack of reading theory. It is obvious that female writing plays an important role in promoting women's self-awakening. However, there are many misunderstandings in Chinese contemporary female writing. But it needs to be studied and analyzed in a comprehensive and systematic way, because it is obvious that, after "Women's Writing" in 90s, the development of contemporary feminist writing is far from satisfactory. So that some radical critics think that female writing has fallen into a "dead end" of self-replication. This paper tries to find ideas and methods to solve the problem from the theoretical root. This is of significance and value to contemporary female literary creation and the development of feminism in China.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.7

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