明代文人对南戏民间性的切割和提升

发布时间：2018-03-22 14:07

本文选题：戏曲艺术　切入点：南戏　出处：《艺术百家》2017年01期 　论文类型：期刊论文

【摘要】：明代文人在参与南戏(传奇)的创作、观赏与演唱活动的同时,为了给自己从事南戏(传奇)创作、观赏与演唱活动正名份,明代文人对南戏所具有的民间性作了切割,不仅在理论上提升南戏在文坛上的地位,而且对早期民间艺人所作的旧本南戏与南戏的演唱形式也作了改编与改革,通过对南戏全方位的包装和提升,终于成功地将南戏与其原始的"民间性"作了切割,完成了从民间南戏到文人南戏的转型,也使得戏曲史上失去了民间南戏这一环。
[Abstract]:While participating in the creation, viewing and singing activities of the Southern Opera (legends), the literati of the Ming Dynasty cut the folk character of the Southern Opera in order to make a correct name for themselves in the creation of the Southern Opera (Legend) and the viewing and singing activities. Not only has the position of the South Opera in the literary world been promoted in theory, but also the old version of the South Opera and the singing form of the South Opera, which were made by the early folk artists, have also been adapted and reformed. Through the all-round packaging and promotion of the South Opera, Finally, the southern opera and its original "folk nature" were successfully cut, and the transition from folk south opera to literati southern opera was completed, which also made the folk southern opera lose its link in the history of opera.
【作者单位】：温州大学人文学院;
【基金】：2013年度国家社会科学基金重大项目“南戏文献全编整理与研究”(项目编号:13&ZD114)阶段性成果 2014年度浙江省社科规划优势学科重大资助项目“南戏传播研究”(项目编号:14YSK06ZD)阶段性成果 2015年度温州市社会科学重点研究基地课题“南戏《琵琶记》在地方戏中的流传与变异”(项目编号:15jd04)阶段性成果之一
【分类号】：I207.37

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