莫言与新文学的整体观

发布时间：2018-03-25 12:43

本文选题：新文学　切入点：莫言　出处：《文学评论》2017年01期

【摘要】：汉语新文学诞生迄今已历百年,其研究需要一个连续性和谱系性的整体观,这既利于对莫言作出公允的评价,同时也使整个新文学的研究变得更为客观:第一,从鲁迅到莫言,新文学的几代作家共同创造了乡村世界与农业文明的哀歌和挽歌,以莫言为标志,这种整体性经验的处理成为了最后的文学景观;第二,莫言传承了鲁迅和五四作家的国民性批判的主题,但是又将这一延续变得更为丰富和多维,这是百年新文学的精神脉系所在;第三,在历经启蒙主义写作、革命文学之后,以莫言为代表的当代作家重新找回了民间文化的价值与立场,以此将当代文学推向了更为宽广的美学空间;第四,当代作家虽历经了文化人格的"矮化",但这种矮化同时也是一种自觉的退守与归位,仅从逻辑上以此推论当代文学的低劣与衰败是主观和短视的。
[Abstract]:It has been a hundred years since the birth of Chinese new literature, and its research needs a continuity and genealogical holistic view, which is conducive to making a fair evaluation of Mo Yan and making the study of the whole new literature more objective: first, from Lu Xun to Mo Yan, Several generations of writers of new literature have jointly created the lamentation and elegy of the rural world and agricultural civilization. With Mo Yan as the symbol, the handling of this holistic experience has become the final literary landscape. Mo Yan inherited the theme of the criticism of the national character of Lu Xun and the May 4th writers, but made this continuation more abundant and multidimensional. This is the spiritual context of the century-old new literature. Third, after the enlightenment writing and revolutionary literature, The contemporary writers, represented by Mo Yan, have rediscovered the value and stand of folk culture, thus pushing contemporary literature to a broader aesthetic space; fourth, Although contemporary writers have experienced the "dwarfization" of cultural personality, this dwarfism is also a conscious retreat and return. It is subjective and short-sighted to infer from logic the inferiority and decline of contemporary literature.
【作者单位】：北京师范大学文学院;
【基金】：国家社科基金重点项目“莫言与中国当代文学的变革研究”(项目编号:13AZD049)的阶段性成果
【分类号】：I207.42

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