魏晋南北朝文论中的隐与显

发布时间：2018-03-30 09:07

本文选题：魏晋南北朝　切入点：文学理论　出处：《齐鲁学刊》2017年04期

【摘要】："隐"和"显"是中国古代诗歌的两种审美形态。在外在形式上,"隐"是单纯质朴的,而"显"是鲜明华丽的;在内在意蕴上,"隐"是蕴含丰富深厚的,而"显"是意义单纯明确的。阮籍和陶渊明的作品表现出"隐"的特征,刘勰和钟嵘则在理论上对"隐"的内涵有所揭示,但魏晋南北朝时期的审美理想并不是"隐",而是显性的"风骨"、"风力"。刘勰所说"隐秀"的主要意义相当于"隐显"。很多学者把"隐秀"理解成同一审美对象或同一作品的内在意蕴和外在表现,这是一种误解。"隐"和"秀"指的是同一层面的两个对象或两种形态,而不是是同一个对象的内外两个层面。也就是说,"隐"和"秀",指的是两个审美对象或两种作品的不同形态或特征。
[Abstract]:"Hidden" and "Xien" are two aesthetic forms of ancient Chinese poetry. In the external form, "Hidden" is simple and plain, while "Xien" is bright and gorgeous. The meaning of "Xian" is simple and clear. The works of Ruan Ji and Tao Yuanming show the characteristics of "hidden", while Liu Xie and Zhong Rong reveal the connotation of "hidden" in theory. But the aesthetic ideal of Wei, Jin, Southern and Northern dynasties is not "hidden", but explicit "wind strength" and "wind strength". Liu Xie said that the main meaning of "hidden show" is equivalent to "hidden show". Many scholars understand "hidden show" as the same aesthetic object. The inner meaning and external expression of the same work, This is a misunderstanding. "hidden" and "show" refer to two objects or two forms at the same level. In other words, "hidden" and "show" refer to the different forms or characteristics of two aesthetic objects or two kinds of works.
【作者单位】：山东社会科学院文化研究所;
【基金】：山东社会科学院创新工程重大支撑项目“中国文化学”
【分类号】：I206.2

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