田九龄的“时调”:明代土家族文学融入主流文学的表征

发布时间：2018-04-15 18:24

本文选题：田九龄 + “时调”　；参考：《湖北民族学院学报(哲学社会科学版)》2017年05期

【摘要】：田舜年以为田九龄诗沾染时调而选刊,严首升也以为其间落时蹊、未去陈言。二人论诗重视真性情的自然抒发,受到明清之际批判前后七子文学复古思想的影响。在二人看来,田九龄的"时调"表现在以下方面:一是作诗仅限汉魏盛唐,二是拟古,三是应酬之作较多。如果从民族文学发展的角度来看,田九龄的"时调"是其融入主流文学的表征,是土家族、汉族文学交流的结果。因此其诗也得到了吴国伦的肯定。
[Abstract]:Tian Shun-nien thought that Tian Jiu-ling's poems were contaminated with time and selected periodicals. Yan Shousheng also thought that there was a time between them and did not go to Chen Yan.The poems attached importance to the natural expression of the true temperament and were influenced by the retro thoughts of the Seven Literatures before and after the criticism of the Ming and Qing dynasties.In the view of the two, Tian Jiuling's "time tone" is manifested in the following aspects: first, poetry is limited to Han and Wei dynasties, second is to imitate ancient times, and third, there are more works on entertainment.From the point of view of the development of national literature, Tian Jiuling's "time tone" is the symbol of his integration into mainstream literature and the result of literature exchange between Tujia and Han nationality.Therefore, his poems also got the affirmation of Wu Guolun.
【作者单位】：湖北民族学院文学与传媒学院;
【基金】：国家社会科学基金西部项目“明代文人流寓西南研究”阶段成果(项目编号:17XZW015)
【分类号】：I206.2

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