石钟山小说创作论

发布时间：2018-04-19 02:25

本文选题：石钟山 + 小说创作　；参考：《曲阜师范大学》2017年硕士论文

【摘要】：石钟山是中国当代颇具影响力的小说家、剧作家。迄今为止,石钟山已有20多部小说被改编成影视作品并屡获大奖,这为他赢得巨大声誉的同时也带来了财富收入。但是这些非常“叫座”的作品却并未赢得评论专家的广泛认可。在专业读者和评论家看来,石钟山算不上一流作家,其“成功”主要是因为中国戏剧产业的低层次以及中国受众的低素质,而石钟山的作品恰好适应了这种状况。由此可以发现,从接受美学出发,强调受众地位和作用、迎合受众需要,这既是石钟山初期作品文学上与商业上获得成功的原因,又是其近期作品文学上产生模式化弊病的原因。文学作家如果刻意迎合受众就会误入歧途、走向媚俗,所以,尽管接受美学为研究者提供了一个很好的研究视角,但它也有自身的不足与局限性,在研究作品时,不能只运用单一的研究方法,还必须进行换位思考,只有这样才能避免产生偏颇。总览石钟山的作品可以发现,其创作的变化存在阶段性,其中以小说《父亲进城》改编拍摄电视剧《激情燃烧的岁月》为关键节点,在此之前石钟山小说创作的艺术性呈上升趋势,在情节结构设置、题材主旨选择和人物形象塑造方面都比较成功;但自此之后,其作品的文学性与艺术性逐渐下滑,出现了小说情节结构模式化、题材主旨妥协化、人物形象扁平化等弊病。总的来说,石钟山的小说还停留在“故事型小说”的层面,忽略了对“哲理化”与“心理化”的书写与对现代、后现代创作技法的探究与运用,这是一种“电影化想象”造成的局限,妨碍了小说创作艺术质量的提升。由此可见,石钟山的小说是成也“电影化想象”,败也“电影化想象”。其实,石钟山创作上出现的问题是当代作家中的一个普遍现象,只不过在石钟山身上表现得更为突出,更具有代表性和典型性。因此,本文把这种以石钟山为代表的、受众叫好、图书畅销,却得不到专家高度认可的现象,称为“石钟山现象”。石钟山作为一位比较成功的作家,其作品尚且如此,由此可知,中国当下的小说和影视剧的质量实在令人堪忧。在销量、票房、收视率等市场经济利益的驱动下,无论是小说还是剧本改编都会出现“同质化”“量产性”“类型化”现象。在此情形下,作家们需要重树经典意识,唯有“化大众”的精品才能提高读者阅读品位、国民审美素养,才能使小说创作与影视产业持续健康发展。本文对石钟山小说做总体评价,并以“石钟山现象”作为诊断当代小说和影视剧创作的病理切片,揭出其病症,引起作家与读者的注意,是十分具有学术价值和文化意义的课题。论文“绪论”部分阐述石钟山小说的创作概况,提出“石钟山现象”;正文第一、二、三章分别从情节结构、题材主旨、人物形象三方面分析石钟山小说的利弊得失。“结语”提出通过对石钟山小说的研究,提醒当代作家树立“精品意识”,将“普及”与“提高”、“娱乐”与“教化”功能有机结合起来,而不能一味“大众化”甚至走向媚俗的地步,这也是广大观众和专业读者共同期待的。本论文以石钟山的小说文本和已出版的剧本为主要研究材料,将改编影视剧作为背景材料,并在页下注中进行影视剧与小说原作的对比,作为对其影视剧评论的延伸与补充。
[Abstract]:Shizhongshan Chinese is a contemporary influential novelist and playwright. So far, Shizhongshan has more than 20 novels adapted into film and television works and award-winning, which earned him a great reputation at the same time also brought wealth to income. But these are very well received in the works but did not win wide recognition. In the view of professional experts and readers the critic, Shizhongshan is not a first-class writer, the "success" is mainly because of the low level China drama industry and low quality China audience, while Shizhongshan works just to adapt to this situation. It can be found that, from the perspective of reception theory, emphasizing the role and position of audience, to cater to the audience needs, this is the reason why Shizhongshan early works of literature and commercial success, and the reasons for the recent literature on the production mode of ills. If writers deliberately to cater to the subject The public will go astray, so although kitsch, reception aesthetics provides researchers with a good perspective, but it also has shortcomings and limitations, the research works, not only by using the method of single, must also be empathy, the only way to avoid bias. In Shizhongshan the works can be found in the creation of the change stage, the novel "father to film adaptation of the TV series" > > burning passion for the key nodes, prior art of Shizhongshan's novels have a rising trend, set in the plot structure, theme selection and characters theme shape are relatively successful; but since then, the literary and artistic works gradually decline, the novel plot structure, theme compromise, flat figure and other ills. In general, Shizhongshan The novel is still in "the story novels" level, ignoring the "philosophy" and "psychology" of the writing and the modern, explore and use of postmodern writing techniques, this is a "Cinematic Imagination" caused by the limitations of the creation of the novel, hinder the artistic quality of the lift. Thus Shizhongshan, the novel is also a "Cinematic Imagination", also "Cinematic Imagination". In fact, the creation of Shizhongshan problems is a common phenomenon in the contemporary writers, but in Shizhongshan who is more prominent, more typical and representative. Therefore, this paper put this to as the representative of the Shizhongshan, the audience applauded, best-selling books, but not highly recognized experts, known as the "Shizhongshan phenomenon" in Shizhongshan. As a successful writer, whose works like this, therefore, when under the shadow of fiction and Chinese Depending on the quality of play is really worrying. At the box office, sales, market driven ratings of economic interests, whether novels or script will appear "homogenization" and "production" and "type" phenomenon. In this case, writers need to renew classical consciousness, only the "Popularization" in order to improve the quality of readers taste, national aesthetic qualities, in order to make continuous fiction and film industry healthy development. The overall evaluation of the Shizhongshan novels, and the "Shizhongshan phenomenon" as the diagnosis of contemporary novels and TV drama creation pathology, revealing the disease caused by writers and readers' attention is very the academic value and cultural significance. The creation of the "Introduction" part of Shizhongshan novels, the "Shizhongshan phenomenon"; the first, second and three chapter respectively from the plot structure, theme, Figure three is the analysis of the advantages and disadvantages of Shizhongshan novels. The conclusion is presented through the study of Shizhongshan novels, remind contemporary writers establish the "quality consciousness", "Popularization" and "improve", "entertainment" and "Enlightenment" function organically, and not blindly "Popularization" and even to kitsch this is the point, the majority of the audience and professional readers expect. This thesis takes Shizhongshan novels and published the script as the main material, the television drama adaptation as background material, compared with the original novel in the film and television drama in the bottom of the page, as the extension and supplement of the TV drama review.

【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

【参考文献】