丁玲延安时期文学创作研究

发布时间：2018-04-20 02:24

本文选题：丁玲 + 延安时期　；参考：《深圳大学》2017年硕士论文

【摘要】：作为中国现代文学史上的风云人物,丁玲的人生几度沉浮,备受磨难。随着人生经历的变化,丁玲的文学创作也出现了较大的起伏,呈现出其特有的丰富和复杂,其中尤以延安时期的文学创作为典型。丁玲延安时期的文学创作,始终交织着个性主义者丁玲、知识分子丁玲、革命者丁玲以及特殊年代的女性主义者丁玲等多重身份的碰撞和冲突。因此延安时期的丁玲以及丁玲的文学创作成为我们理解丁玲和其文学创作的一扇窗口,同时也成为我们观察和思考知识分子、女性、革命以及那个风云突变的时代的一个重要切入口。本论文以丁玲延安时期的文学创作为研究对象,主要从以下几个方面展开论述。第一章着重研究丁玲延安初期的文学创作。在这一时期,丁玲的文学创作从整体上表现为革命新人的激情表达,其作品多以对革命的讴歌和赞颂为主题。革命英雄形象的塑造,革命热情的表达与直白的喜剧风格的语言是其创作的主要特征。但在一些篇章中,我们也能看到丁玲个性意识的不自觉流露。革命队伍中的封建意识,对一些人的革命动机的如实写作成为文本的一丝不和谐之音。第二章是对丁玲延安中期文学创作的分析。在这一时期的创作中,丁玲从知识分子和女性的立场出发,看到了延安的女性歧视和根据地群众的愚昧,并在作品中思考女性在这个大时代中的出路问题。通过进入延安投奔革命的知识分子女性的视角,丁玲也对延安革命队伍内部的官僚倾向等问题提出了自己的思考。分裂的文本背后是丁玲本人在知识分子、革命者和女性等身份之间的挣扎。坚韧而富有个性的女性形象是她对现代文学的一大贡献。第三章着重研究丁玲延安后期的文学创作。在《讲话》的规范下,丁玲的创作自觉地进入宣传大众,迎合革命主流的阶段。她发掘了许多“群众”,但没有写出典型,在一些文章中仍有潜藏的自我声音。结语总括全文,指出知识分子、女性、革命者、个性主义者都是丁玲不可分割的一部分,它们之间的纠葛缠绕使丁玲的思想产生了剧烈的碰撞、冲突,导致革命的理念和个性意识始终流露于丁玲延安时期的文学创作中,此起彼伏,密不可分。多重身份使丁玲延安时期的文学创作呈现出前所未有的丰富性和复杂性,许多文本都有其缝隙。这些缝隙表面上看来是丁玲作品文学艺术上的不足,实则是其个人在多重身份之间不停地转换和矛盾的外化。由此,我们看到了一个丰富复杂的时代,看到了一个矛盾挣扎的丁玲。同时,更为重要的是,这些丰富复杂和矛盾挣扎为我们塑造了一份属于丁玲的独具个性和特质的文学形象和文学文本。
[Abstract]:As a famous figure in the history of modern Chinese literature, Ding Ling's life has been many ups and downs. With the change of life experience, Ding Ling's literary creation has also appeared great ups and downs, showing its unique richness and complexity, especially in Yan'an period. Ding Ling's literary creation in Yan'an period was always intertwined with the collision and conflict of many identities, such as the individualist Ding Ling, the intellectual Ding Ling, the revolutionist Ding Ling, and the feminists of the special era. Therefore, the literary creation of Ding Ling and Ding Ling during the Yan'an period has become a window for us to understand Ding Ling and his literary creation, and it has also become a window for us to observe and think about intellectuals, women, An important entrance to the revolution and to that era of sudden change. This thesis takes Ding Ling Yan'an period literature creation as the research object, mainly from the following several aspects carries on the elaboration. The first chapter focuses on Ding Ling's early literary creation in Yan'an. In this period, Ding Ling's literary creation was expressed as a whole by the passion of the new revolutionary, and his works mostly focused on eulogizing and praising the revolution. The shaping of revolutionary hero image, the expression of revolutionary enthusiasm and the language of frank comedy style are the main features of his creation. But in some chapters, we can also see Ding Ling's personality consciousness unconsciously reveal. The feudal consciousness in the revolutionary ranks and the truthful writing of some people's revolutionary motives become a trace of disharmony in the text. The second chapter is the analysis of Ding Ling's middle-term literary creation. In the creation of this period, Ding Ling, from the standpoint of intellectuals and women, saw the discrimination of women in Yan'an and the ignorance of the masses in the base area, and thought about the outlet of women in this great era in his works. From the perspective of intellectuals and women in Yan'an, Ding Ling also put forward his own thoughts on the bureaucratic tendency of the revolutionary contingent in Yan'an. Behind the split text is Ding Ling's own struggle between intellectuals, revolutionaries and women. The tough and individual female image is a great contribution to modern literature. The third chapter focuses on Ding Ling's later literary creation in Yan'an. Under the standard of "speech", Ding Ling's creation consciously entered the stage of publicizing the masses and pandering to the mainstream of the revolution. She unearthed many "masses", but did not write typical, some articles still have hidden self-sounds. Summing up the full text, the conclusion points out that intellectuals, women, revolutionaries, and individualists are all an inseparable part of Ding Ling, and the entanglement between them has caused a violent collision and conflict between the thoughts of Ding Ling. The ideas and individual consciousness that led to the revolution were always revealed in the literary creation of Ding Ling Yan'an period, one after another, inseparable. Multiple identities make Ding Ling's literary creation in Yan'an period present unprecedented richness and complexity, and many texts have their own gaps. These gaps appear to be the defects of Ding Ling's works in literature and art, but in fact, his personal identity is constantly changing and contradictory externalization. As a result, we see a rich and complex era, see a contradictory struggle Ding Ling. At the same time, more importantly, these rich, complex and contradictory struggles have created a unique literary image and literary text belonging to Ding Ling.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.6

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