唐代涉“磬”诗研究
发布时间:2018-04-21 17:17
本文选题:唐诗 + 音乐诗 ; 参考:《吉林大学》2017年硕士论文
【摘要】:唐为“大唐乐国”,又称“大唐诗国”。唐代以磬乐磬音意象为审美对象的涉“磬”诗,具有诗歌与音乐的双重审美意蕴,蕴含着丰沛的诗歌艺术和音乐艺术。对涉“磬”诗的研究,既有利于我们梳理音乐史、文学史的发展流程和脉络,又对完善唐时音乐诗的研究体系,有着重要意义。涉“磬”诗在唐诗中是一类独特的类型诗,而学界对于唐音乐诗中的涉“磬”诗研究相对较少。鉴于此现状,论文将研究的对象集中于磬,使得论文的研究具有了独特的价值和意义。在研究对象上选择研究涉“磬”诗,可填补唐音乐诗研究体系中对磬诗研究的空白;在研究体系上,论文全方位、多维度的构建了一个对古代音乐诗词的全新研究体系,希望为后来者提供一个新的框架。论文的主体分为五个章节。第一章梳理了乐器磬的发展历史,重点辨析了唐时磬作为礼器和乐器之磬仍然存在,作为佛教法器大行其道的特点,为唐代涉“磬”诗的研究提供一个逻辑基础和历史的背景。第二章为论述各个时期的涉“磬”诗。按照诗歌史上的初唐、盛唐、中唐和晚唐四个时期,梳理出了涉“磬”诗“发轫-初盛—极盛-延续”的发展脉络、探究了涉“磬”诗在不同时期或重风骨之律、或重疏旷之美、或重澹然之乐、或重柔靡之音的美学特点。第三章则着重从题材内容的维度,寻绎各类文本的思想内容及艺术特色,走入诗人们通过磬乐意象刻画出来的反映了佛教禅理、宫廷礼仪、山水田园、世俗生活或诗人精神生活等层面的丰富多彩的大千世界。第四章将研究的维度放在从文学的视野,来体味涉“磬”诗中蕴含的文化内涵特征上。唐磬诗以其空灵意象,集中用于彰显个人节操、烘托空寂氛围、表达惆怅思念情怀,具有摇曳多姿的审美内涵。第五章为论文研究的最后一个维度,是从唐涉“磬”诗的艺术价值入手,逐一揭示了唐代涉“磬”诗的音乐史料价值、诗歌文学价值和社会文化价值。多层面的艺术价值,使得唐涉“磬”诗不仅在艺术上熠熠生辉,并且成为研究我国音乐史、乐器史、诗歌史和唐代断代史的不可或缺的一页。
[Abstract]:Tang Dynasty is called "Great Tang State of Music", also known as "Great Tang Dynasty State of Poetry". The poem of "Qing" in the Tang Dynasty, which regards the image of the chime as the aesthetic object, has the double aesthetic implication of poetry and music, and contains abundant poetic and musical art. The study of "Qing" poems not only helps us to sort out the history of music and the development of literary history, but also plays an important role in perfecting the research system of music poems in Tang Dynasty. The poem of "Qing" is a unique type of poem in Tang poetry, but there are few studies on it in academic circles. In view of the present situation, the research object is concentrated on the chime, which makes the research have unique value and significance. Choosing the "Qing" poem to study on the object of study can fill the blank in the research system of Qing poetry in Tang Dynasty, and in the research system, the thesis constructs a new research system of ancient music poetry in all directions and many dimensions. Hope to provide a new framework for latecomers. The main body of the thesis is divided into five chapters. The first chapter combs the development history of the instrument chime, emphatically discriminates that the chime of the Tang Dynasty as a ritual and musical instrument still exists, as a Buddhist legal instrument, the characteristics of popular, provides a logical basis and historical background for the study of the Tang Dynasty "Qing" poetry. The second chapter deals with the Qing poetry in various periods. According to the four periods in the history of poetry, such as the early Tang Dynasty, the prosperous Tang Dynasty, the Middle Tang Dynasty and the late Tang Dynasty, the author sorted out the development of the "Qing" poem, which originated from the beginning of the Chime poem, and explored the law of "Qing" poetry in different periods or in different periods. Or the beauty of the sparse, or the music of the simple, or the aesthetic characteristics of the soft voice. The third chapter focuses on the dimension of the subject matter, seeks out the ideological content and artistic characteristics of various texts, and walks into the reflection of Buddhist Zen principles, palace rituals, landscape pastures and so on, depicted by the poets through the happy images of the Qing Dynasty. Worldly life or poet's spiritual life and other levels of rich and colorful world. The fourth chapter puts the dimension of the study on the cultural connotation of the Qing poem from the perspective of literature. Tang Qing poetry, with its empty image, is focused on displaying personal morality, setting off empty atmosphere, expressing melancholy and yearning feelings, and has a swaying aesthetic connotation. The fifth chapter is the last dimension of the thesis, which starts with the artistic value of the poem "Qing" in Tang Dynasty, and reveals the value of music historical data, poetry literature value and social culture value one by one. Because of the multi-level artistic value, the poetry of "Qing" in Tang Dynasty is not only shining in art, but also an indispensable page in the study of music history, musical instrument history, poetry history and the history of Tang Dynasty.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.22
【参考文献】
相关期刊论文 前3条
1 朱晓娟;;浅谈唐代音乐诗[J];人民音乐;2006年11期
2 杨金忠,刘杨;浅谈唐诗的音乐美[J];辽宁师范大学学报;2003年02期
3 王培勤;试谈唐诗中的音乐表现艺术[J];苏州教育学院学报;1996年03期
相关硕士学位论文 前1条
1 翟敏;唐代乐器诗研究[D];陕西师范大学;2007年
,本文编号:1783352
本文链接:https://www.wllwen.com/wenyilunwen/hanyuyanwenxuelunwen/1783352.html