明代宋诗选本研究

发布时间：2018-05-02 13:11

本文选题：宋诗选本 + 宋艺圃集　；参考：《河南师范大学》2015年硕士论文

【摘要】：本文主要采用考证与归纳相结合、量化与比较并重的研究方法,梳理与总结明代宋诗选本在明代的发展状况,并探讨其在诗学史上的价值和意义。第一章绪论部分介绍本文的选题缘起、研究现状、研究方法和意义。第二章重点分析宋诗在明人观念中的升降变化,由明初的“宋无诗”到“宋有诗”状况的改善,在此基础上宋诗也实现了从“信不及唐”到“视唐真无愧色”的逆袭。第三章通过梳理现今可考的15家明代宋诗选本,总结明代宋诗选本特点,即选诗标准上的“以唐范宋”。并辩证地讨论明代宋诗选本对清代宋诗选本产生的优劣影响:一方面保留了大量的宋诗文献,成为清代宋诗选本的文献来源之一,但另一方面,明代宋诗选本存在的删改与漏抄等弊病也被清代宋诗选本所沿袭。第四、五、六章则分别选取三部具有代表性的宋诗选本进行个案研究。产生于不同时代背景的三部选本具有各自的鲜明特色。第四章所论述的《宋艺圃集》产生于嘉靖时期,此时“尊唐抑宋”仍是诗坛主流诗学观念,李勜虽身为复古派成员之一,但不满于时人对宋诗的一概摒弃,因此广为搜集宋诗文献,编选此书。本章介绍了《宋艺圃集》的编选方式,详细分析了该选的编次特征、选诗标准、诗学特征,并从宋朝诗歌流派研究和宋诗大家的个体研究中,表现出李勜对复古派诗学观的一定程度的叛离,但最终没有完全摆脱复古派的束缚;在第五章中首先分析三篇立场不同的序文,得出“一代有一代之诗”的共同结论,表明在万历朝此诗史观已经深入人心。继而又关注《宋元名家诗选》中选录的宋朝诗人群体以及诗歌风格,从而探究诗选所体现出的“诗在布衣”的诗学观念和清雅幽隐的审美趣味,与万历时期兴起的闲赏文化相契合。第六章中,重点通过对《石仓宋诗选》和《宋艺圃集》在文献来源、总体选诗情况、诗人群体三个方面的对比分析,从而得出《石仓宋诗选》的特色,即是对南宋遗民诗人群体的关注。《石仓宋诗选》的问世是明末士子身处乱世忠节大义观念的诗化表达。
[Abstract]:This article mainly adopts the research method of combining textual research and induction, quantifying and comparing, combing and summing up the development of selected poems of Ming Dynasty and Song Dynasty in Ming Dynasty, and discussing its value and significance in the history of poetics. The first chapter introduces the origin of the topic, research status, research methods and significance. The second chapter focuses on the rise and fall of Song poetry in the concept of Ming people, and the improvement of the situation from Song Wu-shi to Song You-poetry in the early Ming Dynasty. On this basis, Song poetry also realizes the counterattack from "not believing in the Tang Dynasty" to "seeing the Tang Dynasty without a deserved Color". The third chapter summarizes the characteristics of the selected poems of Ming Dynasty and Song Dynasty by combing 15 selected poems of Ming Dynasty and Song Dynasty, that is, "taking Tang Fan and Song Dynasty" as the standard of poetry selection. And dialectically discusses the good and bad influence of Song poetry anthology of Ming Dynasty on Song poetry anthology of Qing Dynasty: on the one hand, it retains a large number of Song poetry documents, and becomes one of the literature sources of Song poetry anthology in Qing Dynasty, but on the other hand, The excision and omission of selected poems in Ming Dynasty and Song Dynasty were followed by Song poetry anthology in Qing Dynasty. The fourth, fifth and sixth chapters choose three representative anthologies of Song poetry for case study. The three anthologies, which originated from different times, have their own distinctive characteristics. The collection of Song Yipu, which is discussed in the fourth chapter, came into being in Jiajing period. At this time, "respecting the Tang Dynasty and restraining the Song Dynasty" was still the mainstream poetic concept in the poetry world. Although Li Wei was one of the members of the retro school, he was dissatisfied with the abandonment of all the poems of the Song Dynasty. Therefore, extensive collection of Song poetry literature, compilation of this book. This chapter introduces the way of compiling the Collection of Song Art Pu, analyzes in detail the choreography characteristics, the standard of poetry selection, the characteristics of poetics, and studies the genre of poetry in Song Dynasty and the individual study of the poets in Song Dynasty. In the fifth chapter, the author first analyzes three prefaces with different positions, and draws the common conclusion of "the poem of a generation has a generation", which shows a certain degree of rebellion from Li's view of the retro school's poetics, but does not completely break away from the bondage of the retro school in the end; in the fifth chapter, three prefaces with different positions are analyzed first, and the common conclusion is drawn. It shows that the historical view of this poem has been deeply rooted in the hearts of the people in Wanli Dynasty. Then it pays close attention to the poets of the Song Dynasty and the style of poetry in the selected poems of the Song Dynasty and Yuan Dynasty, so as to explore the poetic concept of "poetry in cloth" and the aesthetic taste of elegance and seclusion, which is embodied in the selected poems. And the rise of the Wanli period of leisure culture coincides with. In the sixth chapter, through the comparative analysis of the sources of literature, the general situation of poetry selection, and the poets' group, the characteristics of Shi Cang Song Poems are obtained through the comparative analysis of Shi Cang Song Poems and Song Yipu Collection. The coming out of Shi Cang Song Poems is the poetic expression of the concept of the great righteousness of Shikang Song Dynasty in the late Ming Dynasty.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.22

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