论六言之起及其体律造语

发布时间：2018-05-03 01:01

本文选题：节奏整合 + 拟乐府　；参考：《吉林大学社会科学学报》2017年03期

【摘要】：六言必以节奏的整合才成为稳定的句式,这是确定六言句式与六言体诗起源的依据,所以不能追溯为《诗》中六言散语,也与《骚》语六言不侔。六言句式出于汉乐府,建安时始有文人创制,以五句而每句押韵的组诗形式为常。六言与五、七言在齐梁同时接受声律规范,始有隔句用韵相对,从而形成六言格律的雏形。但六言以三个双音节奏不能导致五、七言律体各联的粘连,因而不具严格的格律规范,按其平仄交替之理可推四式。由于六言不具单音节以为著力锻炼,所以造语必以“自在”为尚,这是衡量六言体诗高下最为重要的标准。
[Abstract]:It is the basis of determining the origin of six-character sentence pattern and six-character poem, so it can not be traced back to "six words" in "poem", nor "Sao" language "six words". Six-character sentence from Han Yuefu, Jian an only literati to create, with five sentences rhyme for the form of poetry. Six words, five, seven characters accept the sound regulation simultaneously in Qi Liang, only then has the intersentence to use the rhyme opposite, thus forms the rudiments of the six character rhythm. However, six words with three double rhythms can not lead to the conglutination of five and seven characters, so they do not have strict rules, according to the principle of alternating between flat and narrow, they can be pushed into four forms. Because six words do not have monosyllabic thought that exerts oneself to exercise, therefore the language must regard "at ease" as still, this is the most important criterion to measure the six-character poem.
【作者单位】：贵州师范大学文学院;

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