论台湾“中生代”诗人汪启疆诗歌的空间书写

发布时间：2018-05-12 05:08

本文选题：汪启疆 + 诗歌　；参考：《当代文坛》2017年02期

【摘要】：本文试从"空间"之维切入汪启疆诗歌研究。诗人在海洋和陆地间迁徒、折返、游历的空间实践,勾连起历史、国族、家族交织的多重空间,以"茧"和"船"意象的对照,表现出个体挣扎于身份认知间的矛盾和困境。同时,修复冲破历史空间的压力一方面迫使诗人将对外部空间的关注转移到内部空间,再现"身体空间",在战争、权力和死亡的逼视下,由毁灭走向重生,并投身日常空间以求得救赎;在内外空间的凝视中,汪启疆尝试突破内外空间的二元对峙,融"己"于"物",将诗歌创作升华为一种"圆形"的表征空间,凸显出一条从"游离"向"中心"汇聚的内在精神轨迹。
[Abstract]:This article tries to cut into Wang Qijiang's poetry research from the dimension of "space". The poet's spatial practice of moving, returning and touring between the sea and land links up the intertwined space of history, nationality and family, and contrasts with the images of "cocoon" and "boat", showing the contradiction and predicament of individual struggling in identity cognition. At the same time, on the one hand, the pressure to repair and break through the historical space forces the poet to shift the attention of the external space to the internal space, to reproduce the "body space", and to move from destruction to rebirth in the face of war, power and death. In the gaze of internal and external space, Wang Qi-jiang tries to break through the dualistic confrontation between internal and external space, melt "oneself" into "things", and sublimate poetry creation into a "circular" representation space. It highlights the inner spiritual track of converging from "free" to "center".
【作者单位】：四川大学文学与新闻学院;
【基金】：国家社科基金项目“日本文学者与中国的研究(1949—1972)”阶段性研究成果,批准号:16CZW039
【分类号】：I207.25

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