从小说到歌剧剧本的创作——歌剧《骆驼祥子》编剧徐瑛专访

发布时间：2018-05-12 16:12

本文选题：《骆驼祥子》 + 徐瑛　；参考：《艺术评论》2017年05期

【摘要】：歌剧《骆驼祥子》赴意大利巡演大获成功,在业内引起了广泛的关注,作为中国第一部进入歌剧之乡巡演的原创歌剧,歌剧《骆驼祥子》在意大利的演出无疑具有里程碑性质的意义。因为它是用地道的北京话讲述的老北京的故事,音乐创作上用的却是西方作曲技法与美声演唱。该剧自2014年在国家大剧院首演以来,关于中国原创歌剧到底要具备怎样的风格、百姓语汇与西洋音乐如何结合、西方大歌剧与京味小说如何联姻等等内容就成了业内持续讨论的话题,进而引发了民族题材与歌剧艺术如何嫁接、歌剧在中国能否实现本土化的严肃思索。忠于老舍原著而改编的歌剧剧本,因其口语化的风格有悖观众印象中歌剧的典雅高贵,也被推到了争议的中心。歌剧《骆驼祥子》的编剧徐瑛早在多年前就因与作曲家谭盾、郭文景、林品晶分别合作歌剧《茶》《诗人李白》和《胡笳十八拍》而蜚声国际歌剧剧坛,但在国内,他作为歌剧编剧却鲜为普通观众所知,其与林兆华、易立明等导演合作的话剧作品"春秋三部曲"《刺客》《说客》《门客》以及京剧《宰相刘罗锅》和《连升三级》等倒是被更多观众所熟悉。今年九月,国家大剧院将再次上演歌剧《骆驼祥子》,在该剧复排上演的前夕,《艺术评论》采访了该剧的编剧徐瑛。
[Abstract]:The opera "Camelot Locke" has been a great success in its tour of Italy, which has aroused widespread concern in the industry. As the first original opera in China to enter the opera town, There is no doubt that the performance of the opera Camphor Locke in Italy is of landmark significance. Because it is an old Beijing story told in authentic Beijing dialect, the music is composed with western composing techniques and beautiful singing. Since its premiere at the National Grand Theater in 2014, the play has focused on the style of Chinese original operas and the combination of common people's vocabulary and Western music. How to marry the western grand opera and the Jingwei novels has become a topic of continuous discussion in the industry, which leads to the grafting of the national theme and the opera art, and the serious thinking of whether the opera can realize localization in China. The adaptation of the opera script, faithful to Lao She's original work, was pushed to the heart of controversy because its colloquial style ran counter to the elegance and nobility of the opera in the audience's mind. As early as many years ago, Xu Ying, the screenwriter of the opera "Xiangzi Luo", became famous in the international opera theater for his cooperation with composers Tan Dun, Guo Wenjing, and Lin Ping-jing in the opera "Tea" and "Li Bai" and "Hu Jia 18" respectively. But in China, As an opera writer, he is rarely known to the general audience, and his relationship with Lin Zhaohua, Yi Liming and other directors of the play "the Spring and Autumn Trilogy", "the Assassin," the lobbyist, "and the Peking Opera," Prime Minister Liu Luoguo "and" Liansheng third level ", and so on, are more familiar to the audience. In September this year, the National Grand Theater will stage another opera, "Xiangzi Locke". On the eve of the rerun of the play, the Art Review interviewed the play's screenwriter Xu Ying.
【分类号】：I207.33

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