简论20世纪80年代电影与文学的双向互动关系

发布时间：2018-05-14 03:08

  本文选题：双向互动关系 + 戏种　； 参考：《电影评介》2017年17期

【摘要】：正20世纪70年代末,中国开始了改革开放,低迷已久的经济重新恢复生机,整个社会也展现出百废待兴的状态。就舞台艺术而论,中国也逐渐摆脱了8部样板戏统治舞台的单调局面,各地的地方戏开始逐渐重返舞台,这为电影事业的重新起步提供了重要的契机。文化学者孙立柏先生曾肯綮地指出:"我国80年代电影的复苏,实际上是承继了改革开放以来地方戏崛起的余绪。"[1]因为地方戏多保留了中国古代文化的要素,这些地方戏种不断复兴,直接
[Abstract]:In the late 1970s, China began reform and opening up, the long depressed economy came back to life, and the whole society was in a state of waste. As far as stage art is concerned, China has gradually got rid of the monotonous situation that 8 model operas dominate the stage, and local operas have gradually returned to the stage, which provides an important opportunity for the new start of the film industry. Cultural scholar Sun Libo once pointed out: "the revival of Chinese movies in the 1980s was in fact a continuation of the rise of local opera since the reform and opening up." [1] because local operas have retained the elements of ancient Chinese culture, These local operas are reviving and direct
【作者单位】： 浙江工商大学人文与传播学院;
【基金】：浙江省哲学社会科学重点研究基地(浙江工商大学东亚研究院)2016年度一般项目:东亚留学生汉语语用失误研究(课题编号:16JDGH033)成果
【分类号】：I206;J909.2
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本文编号：1886045