论中国现代抗战广播剧文学的审美价值

发布时间：2018-05-17 03:22

  本文选题：抗战文学 + 广播剧文学　； 参考：《中国现代文学研究丛刊》2017年09期

【摘要】：审视中国现代抗战广播剧文学创作,其思想性比较鲜明,但它并不是以单一的维度自居,而是呈现了激励颂扬与反思批判的多向维度。中国现代抗战广播剧文学兴起于亡国灭种的危机中,潜存的英雄神话原型被激活了,从审美形象上看,它塑造了原型意味非常强的审美形象,是英雄神话原型的现代置换与变形,突出了巾帼期待,表现了女神崇拜的审美倾向。中国现代抗战广播剧文学的整体审美风格经历了从沉郁悲愤到悲壮冷峻的发展流变。全面抗战之前的抗战广播剧文学呈现了郁闷深沉、悲伤怨愤的共同特点,之后就呈现了既慷慨悲壮、激愤豪迈,又深情真挚、锐利冷峻的特征。
[Abstract]:The ideological content of modern Chinese radio drama against Japan is clear, but it does not regard itself as a single dimension, but presents many dimensions of encouragement, praise and introspection and criticism. The modern Chinese radio drama of the War of Resistance against Japan rose in the crisis of the extinction of the nation, and the hidden hero mythology prototype was activated. From the aesthetic image point of view, it created a very strong aesthetic image of the archetype. It is the modern replacement and transformation of the mythological archetype of heroes, which highlights the expectation of women and shows the aesthetic tendency of goddess worship. The overall aesthetic style of modern Chinese radio drama of the War of Resistance against Japan has experienced the development from melancholy, sadness and indignation to poignancy and sternness. Before the War of Resistance against Japan, the literature of the radio drama of the War of Resistance against Japan presented the common features of deep depression, sadness and resentment, and then presented the characteristics of both generosity, indignation, sincerity and sternness.
【作者单位】： 浙江越秀外国语学院中国语言文化学院;
【基金】：国家社科基金一般项目“中国广播剧文学发展流变研究”(项目编号:13BZW144)的阶段性研究成果
【分类号】：I207.353
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本文编号：1899683