中国新文学第一部“完全忏悔”之作——再论《古船》

发布时间：2018-05-22 11:49

本文选题：《古船》 + 张炜　；参考：《杭州师范大学学报(社会科学版)》2017年02期

【摘要】：《古船》是一部反思之作,以家族之间的恩怨沉浮及附于其上的阶级斗争反映时代的演变,古老的洼狸镇四十余年的历史是中国当代的缩影。但《古船》更是一部忏悔之作,而且是中国新文学第一部"完全忏悔"之作。所谓"完全忏悔",是指忏悔者走完了忏悔全程:由知罪、归罪到负罪、赎罪再到人性新生、灵魂复活。身负家族原罪和阶级原罪的民间贵族之子抱朴主动忏悔赎罪,并将"人之罪"转化为"我之罪",最终告别了"旧我"而跃入"新我"之境。而文学评论中经常提及的忏悔者见素和四爷爷,严格地说,他们不是真正的忏悔形象。前者知罪认罪里隐含着"复仇而不得"的无奈之感,后者的忏悔是根据民间伦理准则而有选择性的领罪。
[Abstract]:"Ancient ship" is a rethinking work, reflecting the evolution of the times by the ups and downs between families and the class struggle attached to it. The ancient town of Wagong is a microcosm of contemporary China for more than 40 years. But Ancient ship is a penitent work, and it is the first complete repentance in Chinese New Literature. The so-called "complete repentance" refers to the complete penitence of the penitent: from guilt, guilt to guilt, atonement to a new humanity and resurrection of soul. The son of the folk noblemen who bear the original sin of the family and the original sin of the class took the initiative to repent and atone for sin, and converted the sin of man into my sin, and finally said goodbye to the old self and leaped into the realm of the new self. The confessor and Grandpa, who are often mentioned in literary criticism, are not, strictly speaking, the true image of repentance. The former's confession of guilt implies the feeling of "revenge but not", while the latter's repentance is a selective confession according to the norms of folk ethics.
【作者单位】：安徽大学文学院;
【分类号】：I207.425

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